A strange stillness hung over the restaurant; it was one of those rare moments
when the orchestra was not discoursing the strains of the Ice-cream Sailor
waltz.
"Did I ever tell you," asked Clovis of his friend, "the tragedy of music at
mealtimes?
"It was a gala evening at the Grand Sybaris Hotel, and a special dinner was
being served in the Amethyst dining-hall. The Amethyst dining-hall had almost a
European reputation, especially with that section of Europe which is
historically identified with the Jordan Valley. Its cooking was beyond reproach,
and its orchestra was sufficiently highly salaried to be above criticism.
Thither came in shoals the intensely musical and the almost intensely musical,
who are very many, and in still greater numbers the merely musical, who know how
Tschaikowsky's name is pronounced and can recognize several of Chopin's
nocturnes if you give them due warning; these eat in the nervous, detached
manner of roebuck feeding in the open, and keep anxious ears cocked towards the
orchestra for the first hint of a recognizable melody.
" 'Ah, yes, Pagliacci,' they murmur, as the opening strains follow hot upon the
soup, and if no contradiction is forthcoming from any better-informed quarter
they break forth into subdued humming by way of supplementing the efforts of the
musicians. Sometimes the melody starts on level terms with the soup, in which
case the banqueters contrive somehow to hum between the spoonfuls; the facial
expression of enthusiasts who are punctuating potage St. Germain with Pagliacci
is not beautiful, but it should be seen by those who are bent on observing all
sides of life. One cannot discount the unpleasant things of this world merely by
looking the other way.
"In addition to the aforementioned types the restaurant was patronized by a fair
sprinkling of the absolutely non-musical; their presence in the dining-hall
could only be explained on the supposition that they had come there to dine.
"The earlier stages of the dinner had worn off. The wine lists had been
consulted, by some with the blank embarrassment of a school-boy suddenly called
on to locate a Minor Prophet in the tangled hinterland of the Old Testament, by
others with the severe scrutiny which suggests that they have visited most of
the higher-priced wines in their own homes and probed their family weaknesses.
The diners who chose their wine in the latter fashion always gave their orders
in a penetrating voice, with a plentiful garnishing of stage directions. By
insisting on having your bottle pointing to the north when the cork is being
drawn, and calling the waiter Max, you may induce an impression on your guests
which hours of laboured boasting might be powerless to achieve. For this
purpose, however, the guests must be chosen as carefully as the wine.
"Standing aside from the revellers in the shadow of a massive pillar was an
interested spectator who was assuredly of the feast, and yet not in it. Monsieur
Aristide Saucourt was the chef of the Grand Sybaris Hotel, and if he had an
equal in his profession he had never acknowledged the fact. In his own domain he
was a potentate, hedged around with the cold brutality that Genius expects
rather than excuses in her children; he never forgave, and those who served him
were careful that there should be little to forgive. In the outer world, the
world which devoured his creations, he was an influence; how profound or how
shallow an influence he never attempted to guess. It is the penalty and the
safeguard of genius that it computes itself by troy weight in a world that
measures by vulgar hundredweights.
Once in a way the great man would be seized with a desire to watch the effect of
his master-efforts, just as the guiding brain of Krupp's might wish at a supreme
moment to intrude into the firing line of an artillery duel. And such an
occasion was the present. For the first time in the history of the Grand Sybaris
Hotel, he was presenting to its guests the dish which he had brought to that
pitch of perfection which almost amounts to scandal. Canetons a la mode
d'Ambleve. In thin gilt lettering on the creamy white of the menu how little
those words conveyed to the bulk of the imperfectly educated diners. And yet how
much specialized effort had been lavished, how much carefully treasured lore had
been ungarnered, before those six words could be written. In the Department of
Deux-Sevres ducklings had lived peculiar and beautiful lives and died in the
odour of satiety to furnish the main theme of the dish; champignons, which even
a purist for Saxon English would have hesitated to address as mushrooms, had
contributed their languorous atrophied bodies to the garnishing, and a sauce
devised in the twilight reign of the Fifteenth Louis had been summoned back from
the imperishable past to take its part in the wonderful confection. Thus far had
human effort laboured to achieve the desired result; the rest had been left to
human genius - the genius of Aristide Saucourt.
"And now the moment had arrived for the serving of the great dish, the dish
which world-weary Grand Dukes and market-obsessed money magnates counted among
their happiest memories. And at the same moment something else happened. The
leader of the highly salaried orchestra placed his violin caressingly against
his chin, lowered his eyelids, and floated into a sea of melody.
" 'Hark!' said most of the diners, 'he is playing "The Chaplet." '
"They knew it was 'The Chaplet' because they had heard it played at luncheon and
afternoon tea, and at supper the night before, and had not had time to forget.
" 'Yes, he is playing "The Chaplet," ' they reassured one another. The general
voice was unanimous on the subject. The orchestra had already played it eleven
times that day, four times by desire and seven times from force of habit, but
the familiar strains were greeted with the rapture due to a revelation. A murmur
of much humming rose from half the tables in the room, and some of the more
overwrought listeners laid down knife and fork in order to be able to burst in
with loud clappings at the earliest permissible moment.
"And the Canetons a la mode d'Ambleve? In stupefied, sickened wonder Aristide
watched them grow cold in total neglect, or suffer the almost worse indignity of
perfunctory pecking and listless munching while the banqueters lavished their
approval and applause on the music-makers. Calves' liver and bacon, with parsley
sauce, could hardly have figured more ignominiously in the evening's
entertainment. And while the master of culinary art leaned back against the
sheltering pillar, choking with a horrible brain-searing rage that could find no
outlet for its agony, the orchestra leader was bowing his acknowledgments of the
hand-clappings that rose in a storm around him. Turning to his colleagues he
nodded the signal for an encore. But before the violin had been lifted anew into
position there came from the shadow of the pillar an explosive negative.
"The musician turned in furious astonishment. Had he taken warning from the look
in the other man's eyes he might have acted differently. But the admiring
plaudits were ringing in his ears, and he snarled out sharply, 'That is for me
to decide.'
" 'Noh! You play thot never again,' shouted the chef, and the next moment he had
flung himself violently upon the loathed being who had supplanted him in the
world's esteem. A large metal tureen, filled to the brim with steaming soup, had
just been placed on a side table in readiness for a late party of diners; before
the waiting staff or the guests had time to realize what was happening, Aristide
had dragged his struggling victim up to the table and plunged his head deep down
into the almost boiling contents of the tureen. At the further end of the room
the diners were still spasmodically applauding in view of an encore.
"Whether the leader of the orchestra died from drowning by soup, or from the
shock to his professional vanity, or was scalded to death, the doctors were
never wholly able to agree. Monsieur Aristide Saucourt, who now lives in
complete retirement, always inclined to the drowning theory."