Anna Klein had gone home, at three o'clock that terrible morning,
a trembling, white-faced girl. She had done her best, and she had
failed. Unlike Graham, she had no feeling of personal
responsibility, but she felt she could never again face her father,
with the thing that she knew between them. There were other
reasons, too. Herman would be arrested, and she would be called
to testify. She had known. She had warned Mr. Spencer. The gang,
Rudolph's gang, would get her for that.
She knew where they were now. They would be at Gus's, in the back
room, drinking to the success of their scheme, and Gus, who was a
German too, would be with them, offering a round of drinks on the
house now and then as his share of the night's rejoicing. Gus,
who was already arranging to help draft-dodgers by sending them
over the Mexican border.
She would have to go back, to get in and out again if she could,
before Herman came back. She had no clothes, except what she stood
up in, and those in her haste that night were, only her print
house-dress with a long coat. She would have to find a new position,
and she would have to have her clothing to get about in. She
dragged along, singularly unmolested. Once or twice a man eyed her,
but her white face and vacant eyes were unattractive, almost sodden.
She was barely able to climb the hill, and as she neared the house
her trepidation increased. What if Herman had come back? If he
suspected her he would kill her. He must have been half mad to
have done the thing, anyhow. He would surely be half mad now. And
because she was young and strong, and life was still a mystery to
be solved, she did not want to die. Strangely enough, face to face
with danger there was still, in the back of her head, an exultant
thrill in her very determination to live. She would start over
again, and she would work hard and make good.
"You bet I'll make good," she resolved. "Just give me a chance and
I'll work my fool head off."
It was the darkest hour before the dawn when she reached the cottage.
It was black and very still, and outside the gate she stooped and
slipped off her shoes. The window into the shed by which she had
escaped was still open, and she crouched outside, listening. When
the stillness remained unbroken she climbed in, tense for a movement
or a blow.
Once inside, however, she drew a long breath. The doors were still
locked, and the keys gone. So Herman had not returned. But as she
stood there, hurried stealthy footsteps came along the street and
turned in at the gate. In a panic she flew up the stairs and into
her room, where the door still hung crazily on its hinges. She
stood there, listening, her heart pounding in her ears, and below
she distinctly heard a key in the kitchen door. She did the only
thing she could think of. She lifted the door into place, and
stood against it, bracing it with her body.
Whoever it was was in the kitchen now, moving however more swiftly
than Herman. She heard matches striking. Then:
She knew that it was Rudolph, and she braced herself mentally.
Rudolph was keener than Herman. If he found her door in that
condition, and she herself dressed?! Working silently and still
holding the door in place, she flung off her coat. She even
unpinned her hair and unfastened her dress.
When his signal remained unanswered a second time he called her
by name, and she heard him coming up.
He was startled to hear her voice so close to the door. In the
dark she heard him fumbling for the knob. He happened on the
padlock instead, and he laughed a little. By that she knew that
he was not quite sober.
"Some sleep!" he said, and suddenly lurched against the door.
In spite of her it yielded, and although she braced herself with
all her strength, his weight against it caused it to give way. It
was a suspicious, crafty Rudolph who picked himself up and made a
clutch at her in the dark.
"You little liar," he said thickly. And struck a match. She
cowered away from him.
"I was going to run away, Rudolph," she cried. "He hasn't any
business locking me in, I won't stand for it."
"Honest to God, Rudolph, no. I hate him. I don't ever want to
see him again."
He put a hand out into the darkness, and finding her, tried to draw
her to him. She struggled, and he released her. All at once she
knew that he was weak with fright. The bravado had died out of him.
The face she had touched was covered with a clammy sweat.
"You'll know soon enough." Then he told her, hurriedly, that he
was going away. He'd come back to get her to promise to follow
him. He wasn't going to stay here and -
"Gus has a friend in a town on the Mexican border," he said. "He's
got maps of the country to Mexico City, and the Germans there fix
you up all right. I'll get rich down there and some day I'll send
for you? What's that?"
He darted to the window, faintly outlined by a distant street-lamp.
Three men were standing quietly outside the gate, and a fourth was
already in the garden, silently moving toward the house. She felt
Rudolph brush by her, and the trembling hand he laid on her arm.
"Now lie!" he whispered fiercely. "You haven't seen me. I haven't
been here to-night."
Then he was gone. She ran to the window. The other three men were
coming in, moving watchfully and slowly, and Rudolph was at Katie's
window, cursing. If she was a prisoner, so was Rudolph. He
realized that instantly, and she heard him breaking out the sash
with a chair. At the sound the three figures broke into a run, and
she heard the sash give way. Almost instantly there was firing.
The first shot was close, and she knew it was Rudolph firing from
the window. Some wild design of braining him from behind with a
chair flashed into her desperate mind, but when she had felt her
way into Katie's room he had gone. The garden below was quiet,
but there was yelling and the crackling of underbrush from the
hill-side. Then a scattering of shots again, and silence. The
yard was empty.
The hill paid but moderate attention to shots. They were usually
merely pyrotechnic, and indicated rejoicing rather than death. But
here and there she heard a window raised, and then lowered again.
The hill had gone back to bed. Anna went into her room and dressed.
For the first time it had occurred to her that she might be held by
the police, and the thought was unbearable. It was when she was
making her escape that she found a prostrate figure in the yard,
and knew that one of Rudolph's shots had gone home. She could not
go away and leave that, not unless - A terrible hatred of Herman
and Rudolph and all their kind suddenly swept over her. She would
not run away. She would stay and tell all the terrible truth. It
was her big moment, and she rose to it. She would see it through.
What was her own safety to letting this band of murderers escape?
And all that in the few seconds it took to reach the fallen figure.
It was only when she was very close that she saw it was moving.
"Tell Dunbar he went to the left," a voice was saying. "The left!
They'll lose him yet."
"Hello," said Joey's voice. He considered that he was speaking
very loud, but it was hardly more than a whisper. "That wasn't
your father, was it? The old boy couldn't jump and run like that."
"Lemme alone," he muttered. "I'm the first casualty in the
American army! I - " He made a desperate effort to speak in a
man's voice, but the higher boyish notes of sixteen conquered.
"They certainly gave us hell to-night. But we're going to build
again; me and - Clayton Spen - "
All at once he was very still. Anna spoke to him and, that failing,
gave him a frantic little shake. But Joey had gone to another
partnership beyond the stars.