Christmas day of the year of our Lord, 1916, dawned on a world
which seemed to have forgotten the Man of Peace. In Asia Minor the
Allies celebrated it by the capture of a strong Turkish position at
Maghdadah. The Germans spent it concentrating at Dead Man's Hill;
the British were ejected from enemy positions near Arras. There
was no Christmas truce. The death-grip had come.
Germany, conscious of her superiority in men, and her hypocritical
peace offers unanimously rejected, was preparing to free herself
from the last restraint of civilization and to begin unrestricted
submarine warfare.
On Christmas morning Clayton received a letter from Chris. Evidently
it had come by hand, for it was mailed in America.
"Dear Clay: I am not at all sure that you will care to hear from me.
In fact, I have tried two or three times to write to you, and have
given it up. But I am lonelier than Billy-be-damned, and if it were
not for Audrey's letters I wouldn't care which shell got me and my
little cart.
"I don't know whether you know why I got out, or not. Perhaps you
don't. I'd been a fool and a scoundrel, and I've had time, between
fusses, to know just how rotten I've been. But I'm not going to
whine to you. What I am trying to get over is that I'm through with
the old stuff for good.
"God only knows why I am writing to you, anyhow - unless it is
because I've always thought you were pretty near right. And I'd
like to feel that now and then you are seeing Audrey, and bucking
her up a bit. I think she's rather down.
"Do you know, Clay, I think this is a darned critical time. The
press, hasn't got it yet, but both the British and the French are
hard up against it. They'll fight until there is no one left to
fight, but these damned Germans seem to have no breaking-point.
They haven't any temperament, I daresay, or maybe it is soul they
lack. But they'll fight to the last man also, and the plain truth
is that there are too many of them.
"It looks mighty bad, unless we come in. And I don't mind saying
that there are a good many eyes over here straining across the old
Atlantic. Are we doing anything, I wonder? Getting ready? The
officers here say we can't expand an army to get enough men without
a draft law. Can you see the administration endangering the next
election with a draft law? Not on your life.
"I'm on the wagon, Clay. Honestly, it's funny. I don't mind
telling you I'm darned miserable sometimes. But then I get busy,
and I'm so blooming glad in a rush to get water that doesn't smell
to heaven that I don't want anything else.
"I suppose they'll give us a good hate on Christmas. Well, think
of me sometimes when you sit down to dinner, and you might drink to
our coming in. If we have a principle to divide among us we shall
have to."
He and Natalie lunched alone, Natalie in radiant good humor. His
gift to her had been a high collar of small diamonds magnificently
set, and Natalie, whose throat commenced to worry her, had welcomed
it rapturously. Also, he had that morning notified Graham that his
salary had been raised to five thousand dollars.
"I daresay I won't earn it, Father," he had said. "But I'll at
east try to keep out of debt on it."
"If you can't, better let me be your banker, Graham."
The boy had flushed. Then he had disappeared, as usual, and Clayton
and Natalie sat across from each other, in their high-armed lion
chairs, and made a pretense of Christmas gayety. True to Natalie's
sense of the fitness of things, a small Nuremberg Christmas tree,
hung with tiny toys and lighted with small candles, stood in the
center of the table.
"We are dining out," she explained. "So I thought we'd use it now."
"It's very pretty," Clayton acknowledged. And he wondered if Natalie
felt at all as he did, the vast room and the two men serving, with
Graham no one knew where, and that travesty of Christmas joy between
them. His mind wandered to long ago Christmases.
"It's not so very long since we had a real tree," he observed. "Do
you remember the one that fell and smashed all the things on it?
And how Graham heard it and came down?"
"Horribly messy things," said Natalie, and watched the second man
critically. He was new, and she decided he was awkward.
She chattered through the meal, however, with that light gayety of
hers which was not gayety at all, and always of the country house.
"The dining-room floor is to be oak, with a marble border," she said.
"You remember the ones we saw in Italy? And the ceiling is blue and
gold. You'll love the ceiling, Clay."
There was claret with the luncheon, and Clayton, raising his glass,
thought of Chris and the water that smelled to heaven.
"An upstairs loggia, too," she said. "Bordered with red geraniums.
I loathe geraniums, but the color is good. Rodney wants Japanese
screens and things, but I'm not sure. What do you think?"
"I think you're a better judge than I am," he replied, smiling. He
had had to come back a long way, but he made the effort.
"It's hardly worth while struggling to have things attractive for
you," she observed petulantly. "You never notice, anyhow. Clay,
do you know that you sit hours and hours, and never talk to me?"
"When you talk at all. What in the world do you think about, Clay,
when you sit with your eyes on nothing? It's a vicious habit."
"Oh, ships and sails and sealing wax and cabbages and kings," he
said, lightly.
That afternoon Natalie slept, and the house took on the tomb-like
quiet of an establishment where the first word in service is silence.
Clay wandered about, feeling an inexpressible loneliness of spirit.
On those days which work did not fill he was always discontented.
He thought of the club, but the vision of those disconsolate groups
of homeless bachelors who gathered there on all festivals that
centered about a family focus was unattractive.
All at once, he realized that, since he had wakened that morning,
he had been wanting to see Audrey. He wanted to talk to her, real
talk, not gossip. Not country houses. Not personalities. Not
recrimination. Such talk as Audrey herself had always led at
dinner parties: of men and affairs, of big issues, of the war.
He felt suddenly that he must talk about the war to some one.
Natalie was still sleeping when he went down-stairs. It had been
raining, but a cold wind was covering the pavement with a glaze
of ice. Here and there men in top hats, like himself, were making
their way to Christmas calls. Children clinging to the arms of
governesses, their feet in high arctics, slid laughing on the ice.
A belated florist's wagon was still delivering Christmas plants
tied with bright red bows. The street held more of festivity to
Clayton than had his house. Even the shop windows, as he walked
toward Audrey's unfashionable new neighborhood, cried out their
message of peace. Peace - when there was no peace.
Audrey was alone, but her little room was crowded with gifts and
flowers.
"I was hoping you would come, Clay," she said. "I've had some
visitors, but they're gone. I'll tell them down-stairs that I'm
not at home, and we can really talk."
And when she had telephoned; "I've had a letter from Chris, Audrey."
She read it slowly, and he was surprised, when she finally looked
up, to find tears in her eyes.
"Poor old Chris!" she said. "I've never told you the story, have I,
Clay? Of course I know perfectly well I haven't. There was another
woman. I think I could have understood it, perhaps, if she had been
a different sort of a woman. But - I suppose it hurt my pride. I
didn't love him. She was such a vulgar little thing. Not even
pretty. Just - woman."
"He was fastidious, too. I don't understand it. And he swears he
never cared for her. I don't believe he did, either. I suppose
there's no explanation for these things. They just happen. It's
the life we live, I dare say. When I look back - She's the girl
I sent into the mill."
"But, Audrey," he protested, "you are not seeing her, are you?"
"Now and then. She has fastened herself on me, in a way. Don't
scowl like that. She says she is straight now and that she only
wants a chance to work. She's off the stage for good. She - danced.
That money I got from you was for her. She was waiting, up-stairs.
Chris was behind with her rent, and she was going to lose her
furniture."
"That you should have to do such a thing!" he protested. "It's
- well, it's infamous."
"Well, I've never been particularly shielded. It hasn't hurt me.
I don't even hate her. But I'm puzzled sometimes. Where there's
love it might be understandable. Most of us would hate to have to
stand the test of real love, I daresay. There's a time in every
one's life, I suppose, when love seems to be the only thing that
matters."
That was what the poet in that idiotic book had said: "There is no
other joy."
"Even you, Clay," she reflected, smilingly. "You big, grave men go
all to pieces, sometimes."
"There," she said. "I've had my little whimper, and I feel better.
Now talk to me."
The little clock was striking six when at last he rose to go. The
room was dark, with only the glow of the wood fire on Audrey's face.
He found her very lovely, rather chastened and subdued, but much
more appealing than in her old days of sparkle and high spirits.
She got up and stood on the hearth-rug beside him, looking up at
him. Then, "Don't be startled, Clay," she announced, smilingly.
"I am going to kiss you - for Christmas."
And kiss him she did, putting both hands on his shoulders, and
rising on her toes to do it. It was a very small kiss, and Clayton
took it calmly, and as she intended him to take it. But it was, at
that, rather a flushed Audrey who bade him good-night and God bless
you.
Clayton took away with him from that visit a great peace and a great
relief. He had talked out to her for more than an hour of the many
things that puzzled and bewildered him. He had talked war, and the
mill, and even Graham and his problems. And by talking of them some
of them had clarified. A little of his unrest had gone. He felt
encouraged, he had a new strength to go on. It was wonderful, he
reflected, what the friendship of a woman could mean to a man. He
was quite convinced that it was only friendship.
He turned toward home reluctantly. Behind him was the glow of
Audrey's fire, and the glow that had been in her eyes when he
entered. If a man had such a woman behind him...
He went into his great, silent house, and the door closed behind
him like a prison gate.
For a long time after he had gone, Audrey, doors closed to visitors,
sat alone by her fire, with one of his roses held close to her cheek.
In her small upper room, in a white frame cottage on the hill
overlooking the Spencer furnaces, Anna Klein, locked away from
prying eyes, sat that same Christmas evening and closely inspected
a tiny gold wrist-watch. And now and then, like Audrey, she pressed
it to her face.