She was a slender woman, of medium height, with a small, well-poised head,
on which the hair lay smooth and glossy. Her age was somewhere between
thirty and thirty-five years. A stranger would have been first of all
impressed by the imperious carriage of her head and shoulders, the repose
of her attitude. Become a friend or a longer acquaintance, he would have
noticed more particularly her wide low brow, her steady gray eyes and her
grave but humorous lips. But inevitably he would have gone back at last to
her more general impression. Ben Sansome, the only man in town who did
nothing, made society and dress a profession and the judgment of women a
religion, had long since summed her up: "She carries her head charmingly."
This poised, wise serenity of carriage was well set off by the costume of
the early fifties--a low collar, above which her neck rose like a flower
stem; flowing sleeves; full skirts with many silken petticoats that
whispered and rustled; low sandalled shoes, their ties crossed and
recrossed around white slender ankles. A cameo locket, hung on a heavy gold
chain, rose and fell with her breast; a cameo brooch pinned together the
folds of her bodice; massive and wide bracelets of gold clasped her wrists
and vastly set off her rounded, slender forearms.
She stood quite motionless in the doorway, nodding with a little smile in
response to the men's sweeping salutes.
"You will excuse me gentlemen, I am sure," said Sherwood formally, and
instantly turned aside.
The woman in the doorway thereupon preceded him down a narrow, bare,
unlighted hallway, opened another door, and entered a room. Sherwood
followed, closing the door after him.
The room was obviously one of the best of the Bella Union. That is to say,
it was fairly large, the morning sun streamed in through its two windows,
and it contained a small iron stove. In all other respects it differed
quite from any other hotel room in the San Francisco of that time. A heavy
carpet covered the floor, the upholstery was of leather or tapestry, wall
paper adorned the walls, a large table supported a bronze lamp and numerous
books and papers, a canary, in a brass cage, hung in the sunshine of one of
the windows, flitted from perch to perch, occasionally uttering a few
liquid notes under its breath.
"Just a little change, Jack, if you have some with you," said the woman.
Her speaking voice was rich and low.
Sherwood thrust a forefinger into his waistcoat pocket, and produced one of
the hexagonal slugs of gold current at that time.
"Oh, she--and others. I ought not to have spoken of it, Jack. It's really
beneath the contempt of sensible people."
"I'll get after Morrell, if he doesn't make that woman behave," said
Sherwood, without attention to her last speech.
She smiled at him again, entirely calm and reasonable.
"And what good would it do to get after Morrell?" she asked. "Mrs. Morrell
only stands for what most of them feel. I don't care, anyway. I get along
splendidly without them." She sauntered over to the window, where she began
idly to poke one finger at the canary.
"For the life of me, Patsy," confessed Sherwood, "I can't see that they're
an inspiring lot, anyway. From what little I've seen of them, they haven't
more than an idea apiece. They'd bore me to death in a week."
"I know that. They'd bore me, too. Don't talk about them. When do they
expect the Panama--do you know?"
But with masculine persistence he refused to abandon the topic.
"I must confess I don't see the point," he insisted. "You've got more
brains than the whole lot of them together, you've got more sense, you're a
lot better looking"--he surveyed her, standing in the full light by the
canary's cage, her little glossy head thrown back, her pink lips pouted
teasingly at the charmed and agitated bird, her fine clear features
profiled in the gold of the sunshine--"and you're a thoroughbred, egad,
which most of them are not."
"Oh, thank you, kind sir." She threw him a humourous glance. "But of course
that is not the point."
"Oh, isn't it? Well, perhaps you'll tell me the point."
"Respectable? What are you talking about? You talk as though--as though we
weren't married, egad!"
"Well, Jack," she replied, a faint mocking smile curving the corners of her
mouth, "when it comes to that, we did elope, you'll have to acknowledge.
And we weren't married for quite a long time afterward."
"We got married as soon as we could, didn't we?" he cried indignantly. "Was
it our fault that we didn't get married sooner? And what difference did it
make, anyway?"
"Now don't get all worked up," she chided. "I'm just telling you why, in
the eyes of some of these people, I'm not 'respectable.' You asked me, you
know."
"Well, we ran away and weren't married. That's item one. Then perhaps
you've forgotten that I sat on lookout for some of your games in the early
days in the mining camps?"
"Forgotten?" said Sherwood, the light of reminiscence springing to his
eyes.
"They dare say anything--behind our backs," she said, with cool contempt.
"It's all drivelling nonsense. I care nothing about it. But you asked me.
Don't bother your head about it. Have you anything to suggest doing this
morning, instead of Yet Lee's?" She turned away from him toward the door
leading into another room. "I'll get my hat," she said over her shoulder.
"Look here, Patsy," said Sherwood, rather grimly, "if you want to get in
with that lot, you shall."
"If I do--when I do--I will," she replied. "But, John Sherwood, you mustn't
interfere--never in the world! Promise!" She stood there, almost menacing
in her insistence, evidently resolved to nip this particularly masculine
resolution in the bud.
"Egad, Patsy," cried Sherwood, "you are certainly a raving beauty!"
He covered the ground between them in two strides, and crushed her in his
arms. She threw her head back for his kiss.
A knock sounded, and almost immediately a very black, very bullet-headed
young negro thrust his head in at the door.
"Sam," said Sherwood deliberately, "some day I'm going to kill you!"