Medora, long before Abner had learned to work the pedals of the pianola
and to wrench any expression from its stops, had banished most of her
"rolls" from sight. "Siegfried's Funeral March" was unintelligible to
him; the tawdry, meretricious Italian overtures filled him with disgust.
In the end the two confined themselves to patriotic airs and old-time
domestic ditties. Medora accompanied on her second-best violin (which was
kept at the farm) and Abner enjoyed a heart-warming sense of doing his
full share in "Tenting Tonight" or "Lily Dale." The girl's parents had
advanced far beyond this stage, but willingly relapsed into it now and
then for Auld Lang Syne.
"Well, you haven't told me what you thought of that last chapter," said
Abner, putting the roll back in its box. He made no demand on Medora's
interest to the exclusion of that of the others, however. His general
glance around invited comment from any quarter. He had merely looked at
her first.
The girl, a few weeks before, had looked over The Rod of the Oppressor.
The Rod's force had made itself felt most largely on economics; but in
its blossoming it had put forth a few secondary sprigs, and one of these
curled over in the direction of domestic life, of marital relation.
Abner's chivalry--a chivalry totally guiltless of gallantry--had gone out
to the suffering wife doomed to a lifelong yoking with a cruel,
coarse-natured husband: must such a yoking be lifelong? he asked
earnestly. Was it not right and just and reasonable that she should fly
(with or without companion)--nor be too particular over the formalities
of her departure? Medora had smiled and shaken her head; but now the
question somehow seemed less remote than before. She paused over this
bird-like irresponsibility and rather wondered that it should have the
power to detain her.
The new chapters of Regeneration had taken up the same matter and had
displayed it in a somewhat different light. Abner had got hold of the
idea of limited partnership and had sought to apply it, in roundabout
fashion, to the matrimonial relation. His treatment, far from suggesting
an academic aloofness, was as concrete as characterization and
conversation could make it; no one would have supposed, at first glance,
that what chiefly moved him was a chaste abstract Platonic regard for the
whole gentler sex. In short, people--such seemed to be his thesis--might
very advantageously separate, and most informally too, as soon as they
discovered they were incompatible.
"Wouldn't that be rather upsetting?" asked her mother. Mrs. Giles was an
easy-going old soul, from whom art, as personified by her own children,
got slight consideration, and to whom literature, as embodied in a
stranger, was little less than a joke. "Wouldn't it result in a good deal
of a mix-up? What would have happened to you youngsters if your father
and I had all at once taken it into our heads to----"
"Oh, well," began Mrs. Giles, with the idea of making a gradual descent
after her sudden aerial flight. "But, then," she resumed, "you must see
that----"
"Mother!" said Medora again. Abner, eager to defend his thesis, looked
round in surprise.
"I agree with Mrs. Giles completely," spoke up Clytie, with much
promptitude. "When I get married I want to get married for good. Most of
the people I know are married in that way, and I believe it's the most
satisfactory way in the long run----"
Clytie shook her head. "No, it won't do. You've offered us the ballot,
and we don't want it. And you've offered us--this, and we don't want that
either. Consider it declined."
Abner stared at Clytie's brazen little face and disliked her more than
ever.
"But don't you think----" began Abner, turning to Bond.