When Giovanni Saracinesca had visited Cardinal Antonelli on the
previous evening, he had been as firmly persuaded that Faustina
was innocent, as Corona herself, and was at first very much
astonished by the view the great man took of the matter. But as
the latter developed the case, the girl's guilt no longer seemed
impossible, or even improbable. The total absence of any
ostensible incentive to the murder gave Faustina's quarrel with
her father a very great importance, which was further heightened
by the nature of the evidence. There had been high words, in the
course of which the Princess Montevarchi had left the room,
leaving her daughter alone with the old man. No one had seen him
alive after that moment, and he had been found dead, evidently
strangled with her handkerchief. The fact that Faustina had a
bruise on her arm and a cut on her lip pointed to the conclusion
that a desperate struggle had taken place. The cardinal argued
that, although she might not have had the strength to do the deed
if the contest had begun when both were on their feet, it was by
no means impossible that so old a man might have been overcome by
a young and vigorous girl, if she had attacked him when he was in
his chair, and was prevented from rising by the table before him.
As for the monstrosity of the act, the cardinal merely smiled when
Giovanni alluded to it. Had not fathers been murdered by their
children before, and in Rome? The argument had additional weight,
when Giovanni remembered Faustina's wild behaviour on the night of
the insurrection. A girl who was capable of following a soldier
into action, and who had spent hours in searching for him after
such an appalling disaster as the explosion of the Serristori
barracks, might well be subject to fits of desperate anger, and it
was by no means far from likely, if her father had struck her in
the face from his place at the table, that she should have laid
violent hands upon him, seizing him by the throat and strangling
him with her handkerchief. Her coolness afterwards might be only a
part of her odd nature, for she was undoubtedly eccentric. She
might be mad, said the cardinal, shaking his head, but there was
every probability that she was guilty. In those days there was no
appeal from the statesman's decisions in such matters. Faustina
would remain a prisoner until she could be tried for the crime.
His Eminence was an early riser, and was not altogether surprised
that Giovanni should come to him at such an hour, especially as he
knew that the Princess Sant' Ilario had spent the night with
Faustina in the Termini prison He was altogether taken aback,
however, by Giovanni's manner, and by the communication he made.
"I had the honour of telling your Eminence last night, that Donna
Faustina Montevarchi was innocent," began Giovanni, who refused
the offer of a seat. "I trusted that she might be liberated
immediately, but you have determined otherwise. I am not willing
that an innocent person should suffer unjustly. I have come,
therefore, to surrender myself to justice in this case."
The cardinal stared, and an expression of unmitigated astonishment
appeared upon his delicate olive features, while his nervous hands
grasped the arms of his chair.
"I, your Eminence. I will explain myself. Yesterday the courts
delivered their verdict, declaring that my cousin San Giacinto is
Prince Saracinesca, instead of my father, and transferring to him
all our hereditary property. The man who found out that there was
a case against us, and caused it to be brought to trial, was
Prince Montevarchi. You may perhaps understand my resentment
against him. If you recollect the evidence which was detailed to
you last night you will see that it was quite possible for me to
go to him without being observed. The door chanced to be open, and
there was no one in the hall. I am perfectly acquainted with the
house. Several hours elapsed between the time when Donna Faustina
left her father and the moment when he was found dead in his
chair. You can understand how I could enter the room unseen, how
angry words naturally must have arisen between us, and how, losing
my self-control, I could have picked up Donna Faustina's
handkerchief which, as she says, lay upon the floor, and knotted
it effectually round the old man's neck. What could he do in my
hands? The study is far from the other rooms the family inhabit,
and is near the hall. To go quietly out would not have been a
difficult matter for any one who knew the house. Your Eminence
knows as well as I the shallowness of circumstantial evidence."
"And do you tell me, calmly, like this, that you murdered a
helpless old man out of revenge?" asked the cardinal, half-
indignantly, half-incredulously.
"Would I surrender myself as the murderer, for a caprice?"
inquired Giovanni, who was very pale.
The cardinal looked at him and was silent for a few moments. He
was puzzled by what he heard, and yet his common sense told him
that he had no course but to liberate Faustina and send Giovanni
to prison. He felt, too, that he ought to experience an
instinctive repulsion, for the man before him, who, by his own
showing, had been guilty of such a horrible crime; but he was
conscious of no such sensation. He was a man of exceedingly quick
and true intuitions, who judged the persons with whom he had
business very accurately. There was a lack of correspondence
between his intelligence and his feelings which roused his
curiosity.
"Less strange than the one your Eminence has believed since last
night," returned Giovanni calmly.
"I do not know. It is more easy for me to believe that the girl
was momentarily out of her mind than that you, whom I have known
all my life, should have done such a thing. Besides, in telling me
your story, you have never once positively asserted that you did
it. You have only explained that it would have been possible for a
man so disposed to accomplish the murder unsuspected."
"Is a man obliged to incriminate himself directly? It seems to me
that in giving myself up I have done all that a man's conscience
can possibly require--outside of the confessional. I shall be
tried, and my lawyer will do what he can to obtain my acquittal."
"That is poor logic. Whether you confess or not, you have accused
yourself in a way that must tell against you very strongly. You
really leave me no choice."
"Your Eminence has only to do what I request, to liberate Donna
Faustina and to send me to prison."
"You are a very strange man," said the cardinal in a musing tone,
as he leaned back in his chair and scrutinised Giovanni's pale,
impenetrable face.
"Will you give me your word of honour that Faustina Montevarchi is
innocent?"
"Yes," answered Giovanni without the slightest hesitation, and
meeting the gaze of the cardinal's bright eyes unflinchingly.
The latter paused a moment, and then turned in his chair, and
taking a piece of paper wrote a few words upon it. Then he rang a
little hand-bell that stood beside him. His servant entered, as he
was folding and sealing the note.
"The messenger had better take my carriage," observed Giovanni. "I
shall not need it again."
"Take Prince Sant' Ilario's carriage," added the cardinal, and the
man left the room. "And now," he continued, "will you be good
enough to tell me what I am to do with you?"
"Send me to the Carceri Nuove, or to any convenient place."
"I will do nothing that can be an injury to you hereafter,"
answered the statesman. "Something tells me that you have had
nothing to do with this dreadful murder. But you must know that
though you may deceive me--I am not omniscient--I will not
tolerate any contempt of the ways of justice. You have surrendered
yourself as the criminal, and I intend to take you at your word."
"I ask for nothing else. Put me where you please, do what you
please with me. It matters very little."
"You act like a man who has had an unfortunate love affair,"
remarked the cardinal. "It is true that you have just lost your
fortune, and that may account for it. But I repeat that, whatever
your motives may be, you shall not trifle with the law. You wish
to be a prisoner. The law will oblige you so far as to comply with
your request. I warn you that, after this, you can only obtain
your freedom through a proper trial."
"Pray let it be so. My motives can be of no importance. The law
shall judge the facts and give its verdict."
"The law will certainly do so. In the meantime, you will spend the
day in a room of my apartments, and this evening, when it is dark,
you will be quietly transferred to a place of safety--and secrecy.
If the real murderer is ever found, I do not wish your life to
have been ruined by such a piece of folly as I believe you are
committing. You say you are a desperate man, and you are acting, I
think, as though you were. Your family affairs may have led to
this state, but they do not concern me. You will, however, be good
enough to swear, here, solemnly, laying your hand upon this book,
that you will not attempt to destroy yourself."
"I swear," said Giovanni, touching the volume which the cardinal
presented to him.
"Very good. Now follow me, if you please, to the room where you
must spend the day."
Giovanni found himself in a small chamber which contained only a
large writing-table and a couple of chairs, and which seemed to
have been destined for some sort of office. The cardinal closed
the door, and Giovanni heard him turn the key and remove it from
the lock. Then, for the first time, he reflected upon what he had
done. He had spoken the truth when he had said that he was
desperate. No other word could describe his state. A sort of
madness had taken possession of him while he was talking with
Corona, and he was still under its influence. There had been
something in her manner which had seemed to imply that he was not
doing his best to liberate Faustina, and indeed, when he
remembered that the girl's innocence was by no means clear to him,
he ought not to have been surprised at Corona's imputation. And
yet, he had now pledged his word to the cardinal that Faustina had
not done the deed. Corona's unwillingness to admit that it was for
her own sake she asked his help had driven him nearly out of his
mind, and when she had at last said it, even reluctantly, he had
immediately resolved to show her what he was willing to do for one
word of hers when she chose to speak it. He had from that moment
but one thought, to free Faustina at any cost, and no plan
suggested itself to him but to surrender himself in the girl's
place. As a matter of fact, he could not have accomplished his
purpose so quickly or surely in any other way, and perhaps he
could not have otherwise accomplished it at all. It had been quite
clear to him from the first that the cardinal was prejudiced
against Faustina, owing, no doubt, to the representations of the
prefect of police. Giovanni had carried the evidence against her
clearly in his mind, and as soon as he thought of the expedient he
saw how it would have been quite possible for himself, or for any
other man who knew the house, to commit the murder. As for the
detail concerning the doors being open, there was nothing
improbable in it, seeing that there were many servants in the
establishment, and that each one would suspect and accuse one of
his companions of the carelessness. Nothing was easier than to
construct the story, and he had supposed that nothing would be
simpler than to make the cardinal believe it. He had been
surprised to find himself mistaken upon this point, but he felt a
thrill of triumph that more than repaid him for what he had done,
when he saw the messenger leave the room with the order to
liberate Faustina. Corona had spoken, had asked him to do a hard
thing for her sake, and her caprice was satisfied, it mattered
little at what cost. She had given him an opportunity of showing
what he would do for her, and that opportunity had not been thrown
away.
But as he sat alone in the little room the cardinal had assigned
to him, he began to realise the magnitude of what he had been
doing, and to see how his actions would be judged by others. He
had surrendered himself as a murderer, and was to be treated as
one. When the time came for the trial, might it not happen with
him as with many another innocent man who has put himself into a
false position? Might he not be condemned? Nothing that he could
say hereafter could remove the impression created by his giving
himself up to justice. Any denial hereafter would be supposed to
proceed from fear and not from innocence. And if he were
condemned, what would become of Corona, of his father, of little
Orsino? He shuddered at the thought
What, he asked himself, would be the defence? Yesterday afternoon
he had been out of the house during several hours, and had walked
alone, he hardly remembered where. Since the crisis in his life
which had separated him from Corona in fact, if not in appearance,
he often walked alone, wandering aimlessly through the streets.
Would any of his acquaintance come forward and swear to having
seen him at the time Montevarchi was murdered? Probably not. And
if not, how could it be proved, in the face of his own statement
to the cardinal, that he might not have gone to the palace,
seeking an opportunity of expending his wrath on the old prince,
that he might not have lost his self-control in a fit of anger and
strangled the old man as he sat in his chair? As he himself had
said, there was far more reason to believe that the Saracinesca
had killed Montevarchi out of revenge, than that a girl like
Faustina should have strangled her own father because he had
interfered in her love affairs. If the judges took this view of
the case, it was clear that Giovanni would have little chance of
an acquittal. The thing looked so possible that even Corona might
believe it--even Corona, for whose sake he had rushed madly into
such desperate danger.
And to-day she would not see him; very possibly she would not know
where he was. And to-morrow? And the next day? And all the days
after that? He supposed that he would be allowed to write to her,
perhaps to see her, but it would be hard to explain his position.
She did not love him any longer, and she would not understand. He
wondered how much she would care, if she really cared at all,
beyond a discreet anxiety for his safety. She would certainly not
comprehend a love like his, which had chosen such a sacrifice,
rather than allow her wish to remain ungratified. How could she,
since she did not love him? And yet, it was imperatively necessary
that she should be informed of what had happened. She might
otherwise suppose, naturally enough, that some accident had
befallen him, and she would in. that case apply to the police,
perhaps to the cardinal himself, to find out where he was. Such a
contingency must be prevented, by some means, before night. Until
then, she would not be frightened by his absence. There would be
time, perhaps, when he was removed to the prison--to the place of
safety and secrecy, of which the cardinal had spoken, and which in
all probability was the Holy Office. No questions were asked
there.
There were writing materials on the broad table, and Giovanni
began a letter to his wife. After a few minutes, however, he
stopped, for he saw from what he had written that he was in no
condition to attempt such a task. The words came quickly and
fluently, but they expressed what he had no intention of telling
Corona again. His love for her was still uppermost in his mind,
and instead of trying to explain what had occurred, he found
himself setting down phrases that told of nothing but a mad
passion. The thought of her cold face when she should read the
lines arrested his hand, and he threw down the pen impatiently,
and returned to his meditations for a while. What he wanted to do
was to tell her in the fewest possible words that he was alive and
well. What else should he tell her? The statement would allay any
anxiety she might feel, and his absence would doubtless be a
relief to her. The thought was bitter, but he knew that nothing
exasperates a woman like the constant presence of a man she has
loved, who loves her more than ever, and for whom she no longer
feels anything. At last he took another sheet of paper and tried
again.
"Dear Corona--When you get this, Faustina will be at liberty,
according to your wish. Do not be anxious if you do not see me lor
a few days, as I am called away on urgent business. Tell my
father, and any of our friends who ask about me, that I am at
Saracinesca, superintending the removal of such effects as are not
to go to San Giacinto. I will let you know when I am coining back-
-Your affectionate GIOVANNI."
He read the note over twice, and then folded it, addressing it to
his wife. His face expressed the most profound dejection when he
had finished his task, and for a long time he leaned back in his
chair, gazing at the morning sunlight that slowly crept across the
floor, while his hands lay folded passively upon the table. The
end of his love seemed very bitter as he thought of the words he
had written. A few weeks ago to leave Corona thus unexpectedly
would have caused her the greatest pain. Now, he felt that he need
say nothing, that it would be useless to say anything, more than
he had said. It was nothing to her, whether he stayed in Rome or
went to the ends of the earth; indeed, he suspected that she would
be glad to be left alone--unless she should discover why he had
gone, and whither. This last consideration recalled to him his
situation, and for a moment he was horrified at his own rashness.
But the thought did not hold him long, and presently he asked
himself apathetically what it could matter in the end. The hours
passed slowly, and still he sat motionless by the table, the
folded letter lying before him.
The cardinal had scarcely returned to his study when a second card
was brought to him. The gentleman, said the servant, had assured
him that his Eminence would receive him, as he had important
information to give concerning the murder of Prince Montevarchi.
The cardinal could not repress a smile as he read the name of
Anastase Gouache.
The young man entered the room, and advanced in obedience to the
cardinal's friendly gesture. He was as pale as death, and his soft
dark eyes had an expression of despair in them such as the great
man had rarely seen. For the rest, he wore his uniform, and was as
carefully dressed as usual.
"Your Eminence has doubtless heard of this dreadful murder?" began
Gouache, forgetting all formality in the extremity of his
excitement.
"Yes," said the cardinal, sitting down. "You have something to
communicate concerning it, I understand."
"Donna Faustina Montevarchi has been charged with the crime, and
is in the prison of the Termini," answered the Zouave, speaking
hurriedly. "I am here to ask your Eminence to order her release
without delay---"
"On what grounds?" inquired the statesman, raising his eyebrows a
little as though surprised by the way in which the request was
made.
"Because she is innocent, because her arrest was due to the
mistake of the prefect of police--the evidence was against her,
but it was absurd to suppose that she could have done it---"
"The prefect of police received my approval. Have you any means of
showing that she is innocent?"
"Showing it?" repeated Gouache, who looked dazed for a moment, but
recovered himself immediately, turning white to the lips. "What
could be easier?" he exclaimed. "The murderer is before you--I saw
the prince, I asked him for his daughter's hand in marriage, he
insulted me. I left the room, but I returned soon afterwards. I
found him alone, and I killed him--I do not know how I did it---"
"With Donna Faustina's handkerchief," suggested the cardinal.
"Perhaps you do not remember that it was lying on the floor and
that you picked it up and knotted it---"
"Yes, yes! Round his neck," cried Gouache nervously. "I remember.
But I saw red, everything swam, the details are gone. Here I am--
your Eminence's prisoner--I implore you to send the order at
once!"
The cardinal had hitherto maintained a grave expression. His
features suddenly relaxed and he put out his hand.
"My dear Monsieur Gouache, I like you exceedingly," he said. "You
are a man of heart."
"I do not understand---" Anastase was very much bewildered, but he
saw that his plan for freeing Faustina was on the point of
failure.
"I appreciate your motives," continued the statesman. "You love
the young lady to distraction, she is arrested on a capital
charge, you conceive the idea of presenting yourself as the
murderer in her place--"
"No," interrupted the other, raising his hand. "Do not swear. You
are incapable of such a crime. Besides, Donna Faustina is already
at liberty, and the author of the deed has already confessed his
guilt."
Anastase staggered against the projecting shelf of the bookcase.
The blood rushed to his face and for a moment he was almost
unconscious of where he was. The cardinal's voice recalled him to
himself.
"If you doubt what I tell you, you need only go to the Palazzo
Montevarchi and inquire. Donna Faustina will return with the
Princess Sant' Ilario. I am sorry that circumstances prevent me
from showing you the man who has confessed the crime. He is in my
apartments at the present moment, separated from us only by two or
three rooms."
"His name, Eminence?" asked Gouache, whose whole nature seemed to
have changed in a moment.
"Ah, his name must for the present remain a secret in my keeping,
unless, indeed, you have reason to believe that some one else did
the murder. Have you no suspicions? You know the family
intimately, it seems. You would probably have heard the matter
mentioned, if the deceased prince had been concerned in any
quarrel--in any transaction which might have made him an object of
hatred to any one we know. Do you recall anything of the kind? Sit
down, Monsieur Gouache. You are acquitted, you see. Instead of
being a murderer you are the good friend who once painted my
portrait in this very room. Do you remember our charming
conversations about Christianity and the universal republic?"
"I shall always remember your Eminence's kindness," answered
Gouache, seating himself and trying to speak as quietly as
possible. His nervous nature was very much unsettled by what had
occurred. He had come determined that Faustina should be liberated
at any cost, overcome by the horror of her situation, ready to lay
down his life for her in the sincerity of his devotion. His
conduct had been much more rational than Giovanni's. He had
nothing to lose but himself, no relations to be disgraced by his
condemnation, none to suffer by his loss. He had only to sacrifice
himself to set free for ever the woman he loved, and he had not
hesitated a moment in the accomplishment of his purpose. But the
revulsion of feeling, when he discovered that Faustina was already
known to be innocent, and that there was no need for his
intervention, was almost more than he could bear. The tears of joy
stood in his eyes while he tried to be calm.
"Have you any suspicions?" asked the cardinal again, in his gentle
voice.
"None, Eminence. The only thing approaching to a quarrel, of which
I have heard, is the suit about the title of the Saracinesca. But
of course that can have nothing to do with the matter. It was
decided yesterday without opposition."
"It could have nothing to do with the murder, you think?" inquired
the statesman with an air of interest.
"No. How could it?" Gouache laughed at the idea. "The Saracinesca
could not murder their enemies as they used to do five hundred
years ago. Besides, your Eminence has got the murderer and must be
able to guess better than I what were the incentives to the
crime."
"That does not follow, my friend. A man who confesses a misdeed is
not bound to incriminate any one else, and a man whose conscience
is sensitive enough to make him surrender himself naturally
assumes the blame. He suffers remorse, and does not attempt any
defence, excepting such as you yourself just now gave me, when you
said that the prince had insulted you. Enough to give a semblance
of truth to the story. By the bye, is that true?"
"It is and it is not," answered Gouache, blushing a little. "The
poor man, when I began to explain my position, thought--how shall
I say? He thought I wanted to sell him a picture. It was not his
fault."
"Poor man!" sighed the cardinal. "He had not much tact. And so,
Monsieur Gouache, you think that the great Saracinesca suit has
had nothing to do with the murder?"
"It seems to me impossible. It looks rather as though he had been
murdered by a servant, out of spite. It is hard to believe that
any one not belonging to the house could have done it."
"I think the public will agree with you. I will occupy myself with
the matter. Perhaps I have got the man safe in that room, but who
knows? If you had come first, you might have gone to the Carceri
Nuove instead of him. After all, he may be in love too."
The cardinal smiled, but Gouache started at the suggestion, as
though it hurt him.
"So do I. It would be a strange coincidence, if two innocent men
had accused themselves of the same crime, out of love, within
twenty-four hours of its being committed. But now that you are
calm--yes, you were beside yourself with excitement--I must tell
you that you have done a very rash thing indeed. If I had not
chanced to be a friend of yours, what would have become of you? I
cannot help liking your courage and devotion--you have shown it in
sterner matters, and in the face of the enemy--but you might have
destroyed yourself. That would have been a great sin."
"Is there no case in which a man may destroy himself
deliberately?"
"You speak of suicide? It was almost that you contemplated. No.
The church teaches that a man who takes his own life goes straight
to hell. So does Mohammed, for that matter."
"But," objected Gouache, "let us suppose me a very bad man,
exercising a destroying influence on many other people. Suppose,
in short, for the sake of argument, that my life caused others to
lose their own souls, and that by killing myself I knew that they
would all become good again. Suppose then, that I suddenly
repented and that there was no way of saving these people but by
my own suicide. Would it not be more honourable in me to say,
'Very well, I will submit to damnation rather than send all those
others to eternal flames?' Should I not be justified in blowing
out my brains?"
The cardinal did not know whether to smile or to look grave. He
was neither a priest nor a theologian, but a statesman.
"My dear friend," he answered at last. "The ingenuity of your
suppositions passes belief. I can only say that, when you find
yourself in such a bad case as you describe, I will submit the
matter for you to the Holy Father himself. But I would strongly
advise you to avoid the situation if you possibly can."
Gouache took his leave with a light heart, little guessing as he
descended the great marble staircase that Giovanni Saracinesca was
the prisoner of whom the cardinal had spoken so mysteriously,
still less that he, too, had falsely accused himself of having
killed poor old Montevarchi. He wondered, as he walked rapidly
along the streets in the bright morning sunshine, who the man was,
and why he had done such a thing, but his thoughts were really
with Faustina, and he longed to see her and to hear from her own
lips the true version of what had happened.