It is sometimes treated as an impertinence to revive the personages of
one story in another, even though it is after the example of
Shakespeare, who revived Falstaff, after his death, at the behest of
Queen Elizabeth. This precedent is, however, a true impertinence in
calling on the very great to justify the very small!
Yet many a letter in youthful handwriting has begged for further
information on the fate of the beings that had become favourites of the
school-room; and this has induced me to believe that the following out
of my own notions as to the careers of former heroes and heroines might
not be unwelcome; while I have tried to make the story stand
independently for new readers, unacquainted with the tale in which Lady
Merrifield and her brothers and sisters first appeared.
'Scenes and Characters' was, however, published so long ago, that the
young readers of this generation certainly will only know it if it has
had the good fortune to have been preserved by their mothers. It was
only my second book, and in looking back at it so as to preserve
consistency, I have been astonished at its crudeness.
It will explain a few illusions to state that it is the story of the
motherless family of Mohuns of Beechcroft, with a kindly deaf father at
the head, Mr. Mohun, whose pet name was the Baron of Beechcroft, owing
to a romantic notion of his daughters made fun of by his sons. The
eldest sister, a stiff, sensible, dry woman, had just married and gone
to India, leaving her post to the next in age, Emily, who was much too
indolent for the charge. Lilies, the third in age, with her head full
of the kind of high romance and sentiment more prevalent thirty or
forty years ago than now, imagined that whereas the household had
formerly been ruled by duty, it now might be so by love. Of course,
confusion dire was the consequence, chiefly with the younger boys, the
scientific, cross-grained Maurice, and the high-spirited, turbulent
Reginald, all the mischief being fomented by Jane's pertness and
curiosity, and only mitigated by the honest simplicity and dutifulness
of eight years old Phyllis. The remedy was found at last in the
marriage of the eldest son William with Alethea Weston, already
Lilias's favourite friend and model.
That in a youthful composition there should be a cavalier ancestry, a
family much given to dying of consumption, and a young marquess cousin
is, perhaps, inevitable. Lord Rotherwood was Mr. Mohun's ward, and
having a dull home of his own, found his chief happiness as well as all
the best influences of his life, in the merry, highly-principled,
though easy-going life at his uncle's, whom he revered like a father,
while his eager, somewhat shatter-brained nature often made him a butt
to his cousins. All this may account for the tone of camaraderie with
which the scattered members of the family meet again, especially around
Lilias, who had, with her cleverness and enthusiasm, always been the
leading member of the group.
It should, perhaps, also be mentioned that Lord Rotherwood's greatest
friend was also Lilias's favourite brother, Claude, who had become a
clergyman and died early. Aunt Adeline had been the spoilt child and
beauty of the family, the youngest of all.