There was not a grain of superstition in Kennedy, yet I could see
that he was pondering deeply what Inez Mendoza had just said. Was
it possible that there might be something in it--not objectively,
but subjectively? Might that very fear which the Senorita had of
the Senora engender a feeling that would produce the very result
that she feared? I knew that there were strange things that modern
psychology was discovering. Could there be some scientific
explanation of the evil eye?
Kennedy turned and went back into the hotel, to keep his
appointment with Whitney, and as he did so I reflected that,
whatever credence might be given the evil-eye theory, there was
something now before us that was a fact--the physical condition
which Inez had observed in her father before his death, saw now in
Whitney, and foresaw in Lockwood. Surely that in itself
constituted enough of a problem.
We found Whitney in the cafe, sitting alone in a leather-cushioned
booth, and smoking furiously. I observed him narrowly. His eyes
had even more than before that peculiar, staring look. By the
manner in which his veins stood out I could see that his heart
action must be very rapid.
"Well," he remarked, as we seated ourselves, "how did you come out
in your tete-a-tete?"
"About as I expected," answered Kennedy nonchalantly. "I let it go
on merely because I wanted Senorita Mendoza to hear certain
things, and I thought that the Senora could tell them best. One of
them related to the history of that dagger."
I thought Whitney's eyes would pop out of his head. "What about
it?" he asked.
"Well," replied Kennedy briefly, "there was the story of how her
brother had it and was driven crazy until he gave it up to
somebody, then committed suicide by throwing himself into
Titicaca. The other was the tradition that in the days after
Pizarro a Mendoza was murdered by it, just as her father has now
been murdered."
Whitney was listening intently, and seemed to be thinking deeply
of something.
"Do you know," he said finally, with a nod to indicate that he
knew what it was that Kennedy referred to, "I've been thinking of
that de Moche woman a good deal since I left you with her. I've
had some dealings with her."
He looked at Kennedy shrewdly, as though he would have liked to
ask whether she had said anything about him, but did not because
he knew Kennedy would not tell. He was trying to figure out some
other way of finding out.
"Sometimes I think she is trying to double-cross me," he said, at
length. "I know that when she talks to others about me she says
many things that aren't so. Yet when she is with me everything is
fine, and she is ready soon to join us, use her influence with
influential Peruvians; in fact, there isn't anything she won't do-
-manana, to-morrow."
"She has one interesting dilemma, however, which I do not mind
telling you," remarked Kennedy at length. "She cannot expect me to
keep secret what she said before all of us. Inez Mendoza would
mention it, anyhow."
"What was that?" queried Whitney, dissembling his interest.
"Why," replied Kennedy slowly, "it was that, with the plans for
digging for the treasure which you say you have, suppose you and
Lockwood and your associates have not the dagger--how are you
better off than previous hunters? And supposing you have it--what
does that imply?"
Whitney thought a moment over the last proposition of the dilemma.
"Imply?" he repeated slowly. Then the significance of it seemed to
dawn on him, the possession of the dagger and its implication in
regard to the murder of Mendoza. "Well," he answered, "we haven't
the dagger. You know that. But, on the other hand, we think our
plans for getting at the treasure are better than any one else has
ever had, more certain of success."
"Yet the possession of the dagger, with its inscription, is the
only thing that absolutely insures success," observed Kennedy.
"That's true enough," agreed Whitney. "Confound that man Norton.
How could he be such a boob as to let the chance slip through his
fingers?"
"Yes, he told me of the dagger, but hadn't read the inscription,
he said," answered Whitney. "I was so busy at the time with
Lockwood and Mendoza, who had the concession to dig for the
treasure, that I didn't pay much attention to what Norton brought
back. I thought that could wait until Lockwood had been persuaded
to join the interests I represent."
"Did Lockwood or Mendoza know about the dagger and its
importance?" suggested Craig.
"If they did, they never said anything about it," returned Whitney
promptly. "Mendoza is dead. Lockwood tells me he knew nothing
about it until very lately--since the murder, I suppose."
"You suppose?" persisted Kennedy. "Are you sure that he knew
nothing about it before?"
"No," confessed Whitney, "I'm not sure. Only I say that he told me
nothing of it."
Whitney seemed to be turning something over in his mind. Suddenly
he brought his fist down on the little round table before us,
rattling the glasses.
"Do you know," he exclaimed, "the more I think about it, the more
convinced I am that Norton ought to be held to account for that
loss! He ought to have known. Then the presumption is that he did
know. By heaven, I'm going to have that fellow watched. I'm going
to do it to-day, too. I don't trust him. He shall not double-cross
me--even if that woman does!"
I wondered whether Whitney was bluffing. If he was, he was making
a lot of fuss over it. He talked more and more wildly, as he grew
more excited over his latest idea.
"I'll have detectives put on his trail," he blustered. "I'll talk
it over with Lockwood. He never liked the man."
"What did Lockwood say about Norton?" asked Kennedy casually.
"Say," he ejaculated, "it was Norton brought you into this case,
wasn't it?"
"I cannot deny that," returned Kennedy quietly, meeting his eyes.
"But it is Inez Mendoza now that keeps me in it."
"So--you're another rival, are you?" purred Whitney sarcastically.
"Lockwood and de Moche aren't enough. I have a sneaking suspicion
that Norton himself is one of them. Now it's you, too. I suppose
Mr. Jameson is another. Well, if I was ten years younger, I'd cut
you all out, or know the reason why. Oh, yes, I think I will not
tell you what Mr. Lockwood suspects."
With every sentence the veins of Whitney's forehead stood out
further, until now they were like whipcords. His eyes and face
were fairly apoplectic. Slowly the conviction was forced on me.
The man acted for all the world like one affected by a drug.
"Well," he went on, "you may tell Norton for me that I am going to
have him watched. That will throw a scare into him."
At least it showed that the breach between Whitney and Norton was
deep. Kennedy listened without saying much, but I knew that he was
gratified. He was playing Lockwood against de Moche, the Senora
against Inez. Now if Whitney would play himself against Norton,
out of the tangle might emerge just the clues he needed. For when
people get fighting among themselves the truth comes out.
"Very well," remarked Craig, rising, with a hurried glance at
Whitney's apoplectic face, "go as far as you like. I think we
understand each other better, now."
Whitney said nothing, but, rising also, turned on his heel and
walked deliberately out of the cafe into the corridor of the
Prince Edward Albert, leaving us standing there.
Kennedy leaned over and swept up the ashes of Whitney's cigarettes
which lay in the ash-tray, placing them, stubs and all, in an
envelope, as he had done before.
"We have one sample, already," he said. "Another won't hurt. You
can never have too much material to work with. Let us see where he
is going."
Slowly we followed in the direction which Whitney had taken from
the cafe. There was Whitney standing by the cigar-stand, gazing
intently down the corridor.
Kennedy and I moved over so that we could see what he was gazing
at. Just then he started to walk hurriedly in the direction in
which he was looking.
"Senora de Moche!" exclaimed Craig, drawing me toward a palm.
It was indeed she. She had left the tea room and gone to her own
room. Now she was alighting from the elevator, and had started
toward the main dining-room, when her eyes had rested on Whitney.
In spite of all that he had said to us about her, he had received
the glance as a signal and was fluttering over to her like a moth
to a flame.
What was the reason back of it all, I asked, as I thought of those
wonderful eyes of hers? Was it a sort of auto-hypnotism? There
was, I knew, a form of illusion known as ophthalmophobia--fear of
the eye. It ranged from mere aversion at being gazed at all the
way to the subjective development of real physical action from an
otherwise trivial objective cause. Perhaps Inez was right about
the eyes. One might fear them, and that fear might cause the
precise thing to happen which the owner of the eyes intended.
Still, as I reflected before, there was a much more important
problem regarding eyes before us, that of the drug that was
evidently being used in the cigarettes. What was it?
There was no chance of our gleaning anything now from these two
who made such a strange pair. Kennedy turned and went out of the
nearest entrance of the hotel.
"Central Park, West," he directed a cab driver, as we climbed in
his machine; then to me, after giving the number, "I must see Inez
Mendoza again before I can go ahead."
Inez was not expecting us so soon after leaving her at the hotel,
yet I think was just a little glad that we had come.
"Did anything happen after I left?" she asked eagerly.
"We went back and saw Mr. Whitney," returned Craig. "I believe you
are right. He is acting queerly,"
"Was it about anything I should know?" queried Craig.
"Well," she hesitated, "he said he hoped that nothing that had
taken place would change our own relations. That was about all. He
was the dutiful son, and made no attempt to explain anything that
was said."
Kennedy smiled. "You have not seen Mr. Lock, wood since, I
suppose?" he asked.
"You always make me tell what I hadn't intended," she confessed,
smiling back. "Yes, I couldn't help it. At least, I didn't see
him. I called him up. I wanted to tell him what she had said and
that it hadn't made any difference to me."
"I can't remember just how he put it, but I think he meant that it
was something very much like that anonymous letter I received. We
both feel that there is some one who wants to make trouble between
us, and we are not going to let it happen."
If she had known of Kennedy's discovery of the shoe-prints, I feel
sure that, as far as we were concerned, the case would have ended
there. She was in no mood to be convinced by such a thing, would
probably have insisted that some one was wearing a second-hand
pair of his shoes.
Kennedy's eye had been travelling around the room as though
searching for something.
"May I have a cigarette out of that case over there?" he asked,
indicating a box of them on a table.
"Why--that is Mr. Lockwood's," she replied. "He left it here the
last time he was here and I forgot to send it to him. Wait a
minute. Let me get you some of father's."
She left the room. The moment the door closed Kennedy reached over
and took one from the case. "I have some of Lockwood's already,
but another won't matter, as long as I can get it," he said. "I
thought it was her father's. When she brings them, smoke one with
me, and be careful to save the stub. I want it."
A moment later she entered with a metal box that must have held
several hundred. Kennedy and I each took one and lighted it, then
for several minutes chatted as an excuse for staying. As for
myself, I was glad enough to leave a pretty large stub, for I did
not like it. These cigarettes, like those Whitney had offered us,
had a peculiar flavour which I had not acquired a liking for.
"You must let me know whether anything else develops from the
meeting in the tea room," said Kennedy finally, rising. "I shall
be at the laboratory some time, I think."