Volume II. In Chancery
Part II
Chapter III. Visit to Irene
Jolyon found June waiting on the platform at Paddington. She had
received his telegram while at breakfast. Her abode--a studio and
two bedrooms in a St. John's Wood garden--had been selected by her
for the complete independence which it guaranteed. Unwatched by
Mrs. Grundy, unhindered by permanent domestics, she could receive
lame ducks at any hour of day or night, and not seldom had a duck
without studio of its own made use of June's. She enjoyed her
freedom, and possessed herself with a sort of virginal passion; the
warmth which she would have lavished on Bosinney, and of which--
given her Forsyte tenacity--he must surely have tired, she now
expended in championship of the underdogs and budding 'geniuses' of
the artistic world. She lived, in fact, to turn ducks into the
swans she believed they were. The very fervour of her protection
warped her judgments. But she was loyal and liberal; her small
eager hand was ever against the oppressions of academic and
commercial opinion, and though her income was considerable, her
bank balance was often a minus quantity.
She had come to Paddington Station heated in her soul by a visit to
Eric Cobbley. A miserable Gallery had refused to let that
straight-haired genius have his one-man show after all. Its
impudent manager, after visiting his studio, had expressed the
opinion that it would only be a 'one-horse show from the selling
point of view.' This crowning example of commercial cowardice
towards her favourite lame duck--and he so hard up, with a wife and
two children, that he had caused her account to be overdrawn--was
still making the blood glow in her small, resolute face, and her
red-gold hair to shine more than ever. She gave her father a hug,
and got into a cab with him, having as many fish to fry with him as
he with her. It became at once a question which would fry them
first.
Jolyon had reached the words: "My dear, I want you to come with
me," when, glancing at her face, he perceived by her blue eyes
moving from side to side--like the tail of a preoccupied cat--that
she was not attending. "Dad, is it true that I absolutely can't
get at any of my money?"
"How perfectly beastly! Can't it be done somehow? There must be a
way. I know I could buy a small Gallery for ten thousand pounds."
"A small Gallery," murmured Jolyon, "seems a modest desire. But
your grandfather foresaw it."
"I think," cried June vigorously, "that all this care about money
is awful, when there's so much genius in the world simply crushed
out for want of a little. I shall never marry and have children;
why shouldn't I be able to do some good instead of having it all
tied up in case of things which will never come off?"
"Our name is Forsyte, my dear," replied Jolyon in the ironical
voice to which his impetuous daughter had never quite grown
accustomed; "and Forsytes, you know, are people who so settle their
property that their grandchildren, in case they should die before
their parents, have to make wills leaving the property that will
only come to themselves when their parents die. Do you follow
that? Nor do I, but it's a fact, anyway; we live by the principle
that so long as there is a possibility of keeping wealth in the
family it must not go out; if you die unmarried, your money goes to
Jolly and Holly and their children if they marry. Isn't it
pleasant to know that whatever you do you can none of you be
destitute?"
"Yes; and have no income left to help anybody with."
"My dear child," murmured Jolyon, "wouldn't it come to the same
thing?"
"No," said June shrewdly, "I could buy for ten thousand; that would
only be four hundred a year. But I should have to pay a thousand a
year rent, and that would only leave me five hundred. If I had the
Gallery, Dad, think what I could do. I could make Eric Cobbley's
name in no time, and ever so many others."
"Darling," she said, "you buy the Gallery, and I'll pay you four
hundred a year for it. Then neither of us will be any the worse
off. Besides, it's a splendid investment."
Jolyon wriggled. "Don't you think," he said, "that for an artist
to buy a Gallery is a bit dubious? Besides, ten thousand pounds is
a lump, and I'm not a commercial character."
"Of course you're not, but you're awfully businesslike. And I'm
sure we could make it pay. It'll be a perfect way of scoring off
those wretched dealers and people." And again she squeezed her
father's arm.
'Ah!' thought Jolyon, 'I knew it was just off somewhere. Now for
what I want out of her!'
"Well, I'll think of it, but not just now. You remember Irene? I
want you to come with me and see her. Soames is after her again.
She might be safer if we could give her asylum somewhere."
The word asylum, which he had used by chance, was of all most
calculated to rouse June's interest.
"Irene! I haven't seen her since! Of course! I'd love to help
her."
It was Jolyon's turn to squeeze her arm, in warm admiration for
this spirited, generous-hearted little creature of his begetting.
"Irene is proud," he said, with a sidelong glance, in sudden doubt
of June's discretion; "she's difficult to help. We must tread
gently. This is the place. I wired her to expect us. Let's send
up our cards."
"I can't bear Soames," said June as she got out; "he sneers at
everything that isn't successful"
Irene was in what was called the 'Ladies' drawing-room' of the
Piedmont Hotel.
Nothing if not morally courageous, June walked straight up to her
former friend, kissed her cheek, and the two settled down on a sofa
never sat on since the hotel's foundation. Jolyon could see that
Irene was deeply affected by this simple forgiveness.
"A child!" cried June scornfully. "Of course! To leave his money
to. If he wants one badly enough let him take somebody and have
one; then you can divorce him, and he can marry her."
Jolyon perceived suddenly that he had made a mistake to bring June-
-her violent partizanship was fighting Soames' battle.
"It would be best for Irene to come quietly to us at Robin Hill,
and see how things shape."
June sprang up and paced the room. "It's all horrible," she said.
"Why should people be tortured and kept miserable and helpless year
after year by this disgusting sanctimonious law?" But someone had
come into the room, and June came to a standstill. Jolyon went up
to Irene:
She put out her hand to him. "I feel you're a rock."
"Built on sand," answered Jolyon, pressing her hand hard; "but it's
a pleasure to do anything, at any time, remember that. And if you
change your mind....! Come along, June; say good-bye."
June came from the window and flung her arms round Irene.
"Don't think of him," she said under her breath; "enjoy yourself,
and bless you!"
With a memory of tears in Irene's eyes, and of a smile on her lips,
they went away extremely silent, passing the lady who had
interrupted the interview and was turning over the papers on the
table.
But Jolyon did not respond. He had something of his father's
balance, and could see things impartially even when his emotions
were roused. Irene was right; Soames' position was as bad or worse
than her own. As for the law--it catered for a human nature of
which it took a naturally low view. And, feeling that if he stayed
in his daughter's company he would in one way or another commit an
indiscretion, he told her he must catch his train back to Oxford;
and hailing a cab, left her to Turner's water-colours, with the
promise that he would think over that Gallery.
But he thought over Irene instead. Pity, they said, was akin to
love! If so he was certainly in danger of loving her, for he
pitied her profoundly. To think of her drifting about Europe so
handicapped and lonely! 'I hope to goodness she'll keep her head!'
he thought; 'she might easily grow desperate.' In fact, now that
she had cut loose from her poor threads of occupation, he couldn't
imagine how she would go on--so beautiful a creature, hopeless, and
fair game for anyone! In his exasperation was more than a little
fear and jealousy. Women did strange things when they were driven
into corners. 'I wonder what Soames will do now!' he thought. 'A
rotten, idiotic state of things! And I suppose they would say it
was her own fault.' Very preoccupied and sore at heart, he got
into his train, mislaid his ticket, and on the platform at Oxford
took his hat off to a lady whose face he seemed to remember without
being able to put a name to her, not even when he saw her having
tea at the Rainbow.