Part Second. Mrs. Sin
Chapter XVII. The Black Smoke
Up an uncarpeted stair Cyrus Kilfane led the party, and into a kind of
lumber-room lighted by a tin oil lamp and filled to overflowing with
heterogeneous and unsavory rubbish. Here were garments, male and
female, no less than five dilapidated bowler hats, more tea-chests,
broken lamps, tattered fragments of cocoanut-matting, steel bed-laths
and straw mattresses, ruins of chairs--the whole diffusing an
indescribably unpleasant odor.
Opening a cupboard door, Kilfane revealed a number of pendent, ragged
garments, and two more bowler hats. Holding the garments aside, he
banged upon the back of the cupboard--three blows, a pause, and then
two blows.
Following a brief interval, during which even Mollie Gretna was held
silent by the strangeness of the proceedings,
Thereupon ensued a grating noise, and hats and garments swung suddenly
backward, revealing a doorway in which Mrs. Sin stood framed. She wore
a Japanese kimona of embroidered green silk and a pair of green and
gold brocaded slippers which possessed higher heels than Rita
remembered to have seen even Mrs. Sin mounted upon before. Her ankles
were bare, and it was impossible to determine in what manner she was
clad beneath the kimona. Undoubtedly she had a certain dark beauty, of
a bold, abandoned type.
"Come right in," she directed. "Mind your head, Lucy."
The quartette filed through into a carpeted corridor, and Mrs. Sin
reclosed the false back of the cupboard, which, viewed from the other
side, proved to be a door fitted into a recess in the corridor of the
adjoining house. This recess ceased to exist when a second and heavier
door was closed upon the first.
"You know," murmured Kilfane, "old Sin Sin has his uses, Lola. Those
doors are perfectly made."
"Pooh!" scoffed the woman, with a flash of her dark eyes; "he is half
a ship's carpenter and half an ape!"
She moved along the passage, her arm linked in that of Sir Lucien. The
others followed, and:
"Is she truly married to that dreadful Chinaman?" whispered Mollie
Gretna.
"Yes, I believe so," murmured Kilfane. "She is known as Mrs. Sin Sin
Wa."
"Oh!" Mollie's eyes opened widely. "I almost envy her! I have read
that Chinamen tie their wives to beams in the roof and lash them with
leather thongs until they swoon. I could die for a man who lashed me
with leather thongs. Englishmen are so ridiculously gentle to women."
Opening a door on the left of the corridor, Mrs. Sin displayed a room
screened off into three sections. One shaded lamp high up near the
ceiling served to light all the cubicles, which were heated by small
charcoal stoves. These cubicles were identical in shape and
appointment, each being draped with quaint Chinese tapestry and
containing rugs, a silken divan, an armchair, and a low, Eastern
table.
"Choose for yourself," said Mrs. Sin, turning to Rita and Mollie
Gretna. "Nobody else come tonight. You two in this room, eh? Next door
each other for company."
She withdrew, leaving the two girls together. Mollie clasped her hands
ecstatically.
"Oh, my dear!" she said. "What do you think of it all?"
"Well," confessed Rita, looking about her, "personally I feel rather
nervous."
"My dear!" cried Mollie. "I am simply quivering with delicious
terror!"
Rita became silent again, looking about her, and listening. The harsh
voice of the Cuban-Jewess could be heard from a neighboring room, but
otherwise a perfect stillness reigned in the house of Sin Sin Wa. She
remembered that Mrs. Sin had said, "It is quiet--so quiet."
"The idea of undressing and reclining on these divans in real oriental
fashion," declared Mollie, giggling, "makes me feel that I am an
odalisque already. I have dreamed that I was an odalisque, dear--after
smoking, you know. It was heavenly. At least, I don't know that
'heavenly' is quite the right word."
And now that evil spirit of abandonment came to Rita--communicated to
her, possibly, by her companion. Dread, together with a certain sense
of moral reluctance, departed, and she began to enjoy the adventure at
last. It was as though something in the faintly perfumed atmosphere of
the place had entered into her blood, driving out reserve and stifling
conscience.
When Sir Lucien reappeared she ran to him excitedly, her charming face
flushed and her eyes sparkling.
"Oh, Lucy," she cried, "how long will our things be? I'm keen to
smoke!"
His jaw hardened, and when he spoke it was with a drawl more marked
than usual.
"Mareno will be here almost immediately," he answered.
The tone constituted a rebuff, and Rita's coquetry deserted her,
leaving her mortified and piqued. She stared at Pyne, biting her lip.
"You don't like me tonight," she declared. "if I look ugly, it's your
fault; you told me to wear this horrid old costume!"
"You are quite well aware that you could never look otherwise than
maddeningly beautiful," he said harshly. "Do you want me to recall the
fact to you again that you are shortly to be Monte Irvin's wife--or
should you prefer me to remind you that you have declined to be mine?"
"I know now why you didn't want me to come," she said. "I--I'm sorry."
The hard look left Sir Lucien's face immediately and was replaced by a
curious, indefinable expression, an expression which rarely appeared
there.
"You only know half the reason," he replied softly.
At that moment Mrs. Sin came in, followed by Mareno carrying two
dressing-cases. Mollie Gretna had run off to Kilfane, and could be
heard talking loudly in another room; but, called by Mrs. Sin, she now
returned, wide-eyed with excitement.
Mrs. Sin cast a lightning glance at Sir Lucien, and then addressed
Rita.
"Which of these three rooms you choose?" she asked, revealing her
teeth in one of those rapid smiles which were mirthless as the eternal
smile of Sin Sin Wa.
"Oh," said Rita hurriedly, "I don't know. Which do you want, Mollie?"
"I love this end one!" cried Mollie. "It has cushions which simply
reek of oriental voluptuousness and cruelty. It reminds me of a
delicious book I have been reading called Musk, Hashish, and Blood."
"Hashish!" said Mrs. Sin, and laughed harshly. "One night you shall
eat the hashish, and then--"
She snapped her fingers, glancing from Rita to Pyne.
"Oh, really? Is that a promise?" asked Mollie eagerly.
Something in the tone of her voice as she uttered the last four words
in mock dramatic fashion caused Mollie and Rita to stare at one
another questioningly. That suddenly altered tone had awakened an
elusive memory, but neither of them could succeed in identifying it.
Mareno, a lean, swarthy fellow, his foreign cast of countenance
accentuated by close-cut side-whiskers, deposited Miss Gretna's case
in the cubicle which she had selected and, Rita pointing to that
adjoining it, he disposed the second case beside the divan and
departed silently. As the sound of a closing door reached them:
"Yes," replied Rita. "It is extraordinarily quiet."
"This an empty house--'To let,'" explained Mrs. Sin. "We watch it stay
so. Sin the landlord, see? Windows all boarded up and everything
padded. No sound outside, no sound inside. Sin call it the 'House of a
Hundred Raptures,' after the one he have in Buenos Ayres."
The voice of Cyrus Kilfane came, querulous, from a neighboring room.
Pyne glanced over his shoulder towards the retreating figure of Mrs.
Sin, then:
"I shall be awake," he replied. "I would rather you had not come, but
since you are here you must go through with it." He glanced again
along the narrow passage created by the presence of the partitions,
and spoke in a voice lower yet. "You have never really trusted me,
Rita. You were wise. But you can trust me now. Good night, dear."
He walked out of the room and along the carpeted corridor to a little
apartment at the back of the house, furnished comfortably but in
execrably bad taste. A cheerful fire was burning in the grate, the
flue of which had been ingeniously diverted by Sin Sin Wa so that the
smoke issued from a chimney of the adjoining premises. On the
mantelshelf, which was garishly draped, were a number of photographs
of Mrs. Sin in Spanish dancing costume.
Pyne seated himself in an armchair and lighted a cigarette. Except for
the ticking of a clock the room was silent as a padded cell. Upon a
little Moorish table beside a deep, low settee lay a complete opium-
smoking outfit.
Lolling back in the chair and crossing his legs, Sir Lucien became
lost in abstraction, and he was thus seated when, some ten minutes
later, Mrs. Sin came in.
"Ah!" she said, her harsh voice softened to a whisper. "I wondered. So
you wait to smoke with me?" Pyne slowly turned his head, staring at
her as she stood in the doorway, one hand resting on her hip and her
shapely figure boldly outlined by the kimono.
"No," he replied. "I don't want to smoke. Are they all provided for?"
"Lola, my dear," came a distant, querulous murmur. "Give me another
pipe."
Sin tossed her head, turned, and went out again. Sir Lucien lighted
another cigarette. When finally the woman came back, Cyrus Kilfane had
presumably attained the opium-smoker's paradise, for Lola closed the
door and seated herself upon the arm of Sir Lucien's chair. She bent
down, resting her dusky cheek against his.
"Respectability is a question of appearance," he replied. "The change
to which you refer would seem to go deeper."
"Very likely," murmured Mrs. Sin. "I know why you don't smoke. You
have promised your pretty little friend that you will stay awake and
see that nobody tries to cut her sweet white throat."
"She is certainly nervous," he admitted coolly. "I may add that I am
sorry I brought her here."
"Oh," said Mrs. Sin, her voice rising half a note. "Then why do you
bring her to the House?"
"She made the arrangement herself, and I took the easier path. I am
considering your interests as much as my own, Lola. She is about to
marry Monte Irvin, and if his suspicions were aroused he is quite
capable of digging down to the 'Hundred Raptures.'"
"She never has been and never can be any more to me, Lola," he said.
At those words, designed to placate, the fire which smouldered in
Lola's breast burst into sudden flame. She leapt to her feet,
confronting Sir Lucien.
"I know! I know!" she cried harshly. "Do you think I am blind? If she
had been like any of the others, do you suppose it would have mattered
to me? But you respect her--you respect her!"
Eyes blazing and hands clenched, she stood before him, a woman mad
with jealousy, not of a successful rival but of a respected one. She
quivered with passion, and Pyne, perceiving his mistake too late, only
preserved his wonted composure by dint of a great effort. He grasped
Lola and drew her down on to the arm of the chair by sheer force, for
she resisted savagely. His ready wit had been at work, and:
"What a little spitfire you are," he said, firmly grasping her arms,
which felt rigid to the touch. "Surely you can understand? Rita amused
me, at first. Then, when I found she was going to marry Monte Irvin I
didn't bother about her any more. In fact, because I like and admire
Irvin, I tried to keep her away from the dope. We don't want trouble
with a man of that type, who has all sorts of influence. Besides,
Monte Irvin is a good fellow."
Gradually, as he spoke, the rigid arms relaxed and the lithe body
ceased to quiver. Finally, Lola sank back against his shoulder,
sighing.
"I don't believe you," she whispered. "You are telling me lies. But
you have always told me lies; one more does not matter, I suppose. How
strong you are. You have hurt my wrists. You will smoke with me now?"