Next day they had summoned him from the studio to see a peculiar
phenomenon--Johnny Dromore, very well groomed, talking to Sylvia
with unnatural suavity, and carefully masking the goggle in his
eyes! Mrs. Lennan ride? Ah! Too busy, of course. Helped Mark
with his--er-- No! Really! Read a lot, no doubt? Never had any
time for readin' himself--awful bore not having time to read! And
Sylvia listening and smiling, very still and soft.
What had Dromore come for? To spy out the land, discover why
Lennan and his wife thought nothing of the word 'outside'--whether,
in fact, their household was respectable. . . . A man must always
look twice at 'what-d'you-call-ems,' even if they have shared his
room at school! . . . To his credit, of course, to be so careful
of his daughter, at the expense of time owed to the creation of the
perfect racehorse! On the whole he seemed to be coming to the
conclusion that they might be useful to Nell in the uncomfortable
time at hand when she would have to go about; seemed even to be
falling under the spell of Sylvia's transparent goodness--
abandoning his habitual vigilance against being scored off in
life's perpetual bet; parting with his armour of chaff. Almost a
relief, indeed, once out of Sylvia's presence, to see that
familiar, unholy curiosity creeping back into his eyes, as though
they were hoping against parental hope to find something--er--
amusing somewhere about that mysterious Mecca of good times--a
'what-d'you-call-it's' studio. Delicious to watch the conflict
between relief and disappointment. Alas! no model--not even a
statue without clothes; nothing but portrait heads, casts of
animals, and such-like sobrieties--absolutely nothing that could
bring a blush to the cheek of the young person, or a glow to the
eyes of a Johnny Dromore.
With what curious silence he walked round and round the group of
sheep-dogs, inquiring into them with that long crinkled nose of
his! With what curious suddenness, he said: "Damned good! You
wouldn't do me one of Nell on horseback?" With what dubious
watchfulness he listened to the answer:
"I might, perhaps, do a statuette of her; if I did, you should have
a cast."
Did he think that in some way he was being outmanoeuvered? For he
remained some seconds in a sort of trance before muttering, as
though clinching a bet:
"Done! And if you want to ride with her to get the hang of it, I
can always mount you."
When he had gone, Lennan remained staring at his unfinished sheep-
dogs in the gathering dusk. Again that sense of irritation at
contact with something strange, hostile, uncomprehending! Why let
these Dromores into his life like this? He shut the studio, and
went back to the drawing-room. Sylvia was sitting on the fender,
gazing at the fire, and she edged along so as to rest against his
knees. The light from a candle on her writing-table was shining on
her hair, her cheek, and chin, that years had so little altered. A
pretty picture she made, with just that candle flame, swaying
there, burning slowly, surely down the pale wax--candle flame, of
all lifeless things most living, most like a spirit, so bland and
vague, one would hardly have known it was fire at all. A drift of
wind blew it this way and that: he got up to shut the window, and
as he came back; Sylvia said:
"I like Mr. Dromore. I think he's nicer than he looks."
"He's asked me to make a statuette of his daughter on horseback."
What else to be said? To speak of those feelings of the last few
months--those feelings so ridiculous to anyone who had them not--
would only disturb her horribly.
And having received her answer, Sylvia turned back to the fire,
resting silently against his knees. . . .
Three days later the sheep-dogs suddenly abandoned the pose into
which he had lured them with such difficulty, and made for the
studio door. There in the street was Nell Dromore, mounted on a
narrow little black horse with a white star, a white hoof, and
devilish little goat's ears, pricked, and very close together at
the tips.
"Dad said I had better ride round and show you Magpie. He's not
very good at standing still. Are those your dogs? What darlings!"
She had slipped her knee already from the pummel, and slid down;
the sheep-dogs were instantly on their hind-feet, propping
themselves against her waist. Lennan held the black horse--a
bizarre little beast, all fire and whipcord, with a skin like
satin, liquid eyes, very straight hocks, and a thin bang-tail
reaching down to them. The little creature had none of those
commonplace good looks so discouraging to artists.
He had forgotten its rider, till she looked up from the dogs, and
said: "Do you like him? It is nice of you to be going to do us."
When she had ridden away, looking back until she turned the corner,
he tried to lure the two dogs once more to their pose. But they
would sit no more, going continually to the door, listening and
sniffing; and everything felt disturbed and out of gear.
That same afternoon at Sylvia's suggestion he went with her to call
on the Dromores.
While they were being ushered in he heard a man's voice rather
high-pitched speaking in some language not his own; then the girl:
"No, no, Oliver. 'Dans l'amour il y a toujours un qui aime, et
l'autre qui se laisse aimer.'"
She was sitting in her father's chair, and on the window-sill they
saw a young man lolling, who rose and stood stock-still, with an
almost insolent expression on his broad, good-looking face. Lennan
scrutinized him with interest--about twenty-four he might be,
rather dandified, clean-shaved, with crisp dark hair and wide-set
hazel eyes, and, as in his photograph, a curious look of daring.
His voice, when he vouchsafed a greeting, was rather high and not
unpleasant, with a touch of lazy drawl.
They stayed but a few minutes, and going down those dimly lighted
stairs again, Sylvia remarked:
"How prettily she said good-bye--as if she were putting up her face
to be kissed! I think she's lovely. So does that young man. They
go well together."