Part II. Arnstead
Chapter VII. The Picture Gallery.
the house is crencled to and fro,
And hath so queint waies for to go,
For it is shapen as the mase is wrought.
CHAUCER--Legend of Ariadne.
Luncheon over, and Harry dismissed as usual to lie down, Miss
Cameron said to Hugh:
"You have never been over the old house yet, I believe, Mr.
Sutherland. Would you not like to see it?"
"I should indeed," said Hugh. "It is what I have long hoped for, and
have often been on the point of begging."
"Come, then; I will be your guide--if you will trust yourself with a
madcap like me, in the solitudes of the old hive."
"Lead on to the family vaults, if you will," said Hugh.
"That might be possible, too, from below. We are not so very far
from them. Even within the house there is an old chapel, and some
monuments worth looking at. Shall we take it last?"
"Jacob," she said, "get me the keys of the house from Mrs. Horton."
Jacob vanished, and reappeared with a huge bunch of keys. She took
them.
"Thank you. They should not be allowed to get quite rusty, Jacob."
"Please, Miss, Mrs. Horton desired me to say, she would have seen to
them, if she had known you wanted them."
"Oh! never mind. Just tell my maid to bring me an old pair of
gloves."
Jacob went; and the maid came with the required armour.
"Now, Mr. Sutherland. Jane, you will come with us. No, you need
not take the keys. I will find those I want as we go."
She unlocked a door in the corner of the hall, which Hugh had never
seen open. Passing through a long low passage, they came to a
spiral staircase of stone, up which they went, arriving at another
wide hall, very dusty, but in perfect repair. Hugh asked if there
was not some communication between this hall and the great oak
staircase.
"Yes," answered Euphra; "but this is the more direct way."
As she said this, he felt somehow as if she cast on him one of her
keenest glances; but the place was very dusky, and he stood in a
spot where the light fell upon him from an opening in a shutter,
while she stood in deep shadow.
The girl obeyed; and the entering light revealed the walls covered
with paintings, many of them apparently of no value, yet adding much
to the effect of the place. Seeing that Hugh was at once attracted
by the pictures, Euphra said:
"Perhaps you would like to see the picture gallery first?"
Hugh assented. Euphra chose key after key, and opened door after
door, till they came into a long gallery, well lighted from each
end. The windows were soon opened.
"Mr. Arnold is very proud of his pictures, especially of his family
portraits; but he is content with knowing he has them, and never
visits them except to show them; or perhaps once or twice a year,
when something or other keeps him at home for a day, without
anything particular to do."
In glancing over the portraits, some of them by famous masters,
Hugh's eyes were arrested by a blonde beauty in the dress of the
time of Charles II. There was such a reality of self-willed
boldness as well as something worse in her face, that, though
arrested by the picture, Hugh felt ashamed of looking at it in the
presence of Euphra and her maid. The pictured woman almost put him
out of countenance, and yet at the same time fascinated him.
Dragging his eyes from it, he saw that Jane had turned her back
upon it, while Euphra regarded it steadily.
"Open that opposite window, Jane," said she; "there is not light
enough on this portrait."
Jane obeyed. While she did so, Hugh caught a glimpse of her face,
and saw that the formerly rosy girl was deadly pale. He said to
Euphra:
"Well, Miss, I mean, I dreamed that I saw her; and I remembered her
the minute I see her up there; and she give me a turn like. I'm all
right now, Miss."
Euphra fixed her eyes on her, and kept them fixed, till she was very
nearly all wrong again. She turned as pale as before, and began to
draw her breath hard.
"You silly goose!" said Euphra, and withdrew her eyes; upon which
the girl began to breathe more freely.
Hugh was making some wise remarks in his own mind on the unsteady
condition of a nature in which the imagination predominates over the
powers of reflection, when Euphra turned to him, and began to tell
him that that was the picture of her three or four times
great-grandmother, painted by Sir Peter Lely, just after she was
married.
"Isn't she fair?" said she.--"She turned nun at last, they say."
"She is more fair than honest," thought Hugh. "It would take a great
deal of nun to make her into a saint." But he only said, "She is
more beautiful than lovely. What was her name?"
"If you mean her maiden name, it was Halkar--Lady Euphrasia
Halkar--named after me, you see. She had foreign blood in her, of
course; and, to tell the truth, there were strange stories told of
her, of more sorts than one. I know nothing of her family. It was
never heard of in England, I believe, till after the Restoration."
All the time Euphra was speaking, Hugh was being perplexed with that
most annoying of perplexities--the flitting phantom of a
resemblance, which he could not catch. He was forced to dismiss it
for the present, utterly baffled.
"No, no. It is a family name with us. But, indeed, I may be said
to be named after her, for she was the first of us who bore it. You
don't seem to like the portrait."
"I do not; but I cannot help looking at it, for all that."
"I am so used to the lady's face," said Euphra, "that it makes no
impression on me of any sort. But it is said," she added, glancing
at the maid, who stood at some distance, looking uneasily about
her--and as she spoke she lowered her voice to a whisper--"it is
said, she cannot lie still."
"I mean down there in the chapel," she answered, pointing.
The Celtic nerves of Hugh shuddered. Euphra laughed; and her voice
echoed in silvery billows, that broke on the faces of the men and
women of old time, that had owned the whole; whose lives had flowed
and ebbed in varied tides through the ancient house; who had married
and been given in marriage; and gone down to the chapel below--below
the prayers and below the psalms--and made a Sunday of all the week.
Ashamed of his feeling of passing dismay, Hugh said, just to say
something:
"What a strange ornament that is! Is it a brooch or a pin? No, I
declare it is a ring--large enough for three cardinals, and worn on
her thumb. It seems almost to sparkle. Is it ruby, or carbuncle,
or what?"
"I don't know: some clumsy old thing," answered Euphra, carelessly.
"Oh! I see," said Hugh; "it is not a red stone. The glow is only a
reflection from part of her dress. It is as clear as a diamond.
But that is impossible--such a size. There seems to me something
curious about it; and the longer I look at it, the more strange it
appears."
Euphra stole another of her piercing glances at him, but said
nothing.
"Surely," Hugh went on, "a ring like that would hardly be likely to
be lost out of the family? Your uncle must have it somewhere."
Euphra laughed; but this laugh was very different from the last. It
rattled rather than rang.
"You are wonderfully taken with a bauble--for a man of letters, that
is, Mr. Sutherland. The stone may have been carried down any one of
the hundred streams into which a family river is always dividing."
"It is a very remarkable ornament for a lady's finger,
notwithstanding," said Hugh, smiling in his turn.
"But we shall never get through the pictures at this rate," remarked
Euphra; and going on, she directed Hugh's attention now to this, now
to that portrait, saying who each was, and mentioning anything
remarkable in the history of their originals. She manifested a
thorough acquaintance with the family story, and made, in fact, an
excellent show-woman. Having gone nearly to the other end of the
gallery,
"This door," said she, stopping at one, and turning over the keys,
"leads to one of the oldest portions of the house, the principal
room in which is said to have belonged especially to the lady over
there."
As she said this, she fixed her eyes once more on the maid.
"Oh! don't ye now, Miss," interrupted Jane. "Hannah du say as how a
whitey-blue light shines in the window of a dark night,
sometimes--that lady's window, you know, Miss. Don't ye open the
door--pray, Miss."
Jane seemed on the point of falling into the same terror as before.
"Really, Jane," said her mistress, "I am ashamed of you; and of
myself, for having such silly servants about me."
"So Mr. Sutherland and I must give up our plan of going over the
house, because my maid's nerves are too delicate to permit her to
accompany us. For shame!"
"Oh, du ye now go without me!" cried the girl, clasping her hands.
"Mr. Sutherland, I am very sorry, but we must put off the rest of
our ramble till another time. I am, like Hamlet, very vilely
attended, as you see. Come, then, you foolish girl," she added,
more mildly.
The poor maid, what with terror of Lady Euphrasia, and respect for
her mistress, was in a pitiable condition of moral helplessness.
She seemed almost too frightened to walk behind them. But if she
had been in front it would have been no better; for, like other
ghost-fearers, she seemed to feel very painfully that she had no
eyes in her back.
They returned as they came; and Jane receiving the keys to take to
the housekeeper, darted away. When she reached Mrs. Horton's room,
she sank on a chair in hysterics.
"I must get rid of that girl, I fear," said Miss Cameron, leading
the way to the library; "she will infect the whole household with
her foolish terrors. We shall not hear the last of this for some
time to come. We had a fit of it the same year I came; and I
suppose the time has come round for another attack of the same
epidemic."
"What is there about the room to terrify the poor thing?"
"Oh! they say it is haunted; that is all. Was there ever an old
house anywhere over Europe, especially an old family house, but was
said to be haunted? Here the story centres in that room--or at
least in that room and the avenue in front of its windows."
Had Hugh possessed a yet keener perception of resemblance, he would
have seen that the phantom-likeness which haunted him in the
portrait of Euphrasia Halkar, was that of Euphrasia Cameron--by his
side all the time. But the mere difference of complexion was
sufficient to throw him out--insignificant difference as that is,
beside the correspondence of features and their relations. Euphra
herself was perfectly aware of the likeness, but had no wish that
Hugh should discover it.
As if the likeness, however, had been dimly identified by the
unconscious part of his being, he sat in one corner of the library
sofa, with his eyes fixed on the face of Euphra, as she sat in the
other. Presently he was made aware of his unintentional rudeness,
by seeing her turn pale as death, and sink back in the sofa. In a
moment she started up, and began pacing about the room, rubbing her
eyes and temples. He was bewildered and alarmed.
Euphra had another glass of claret with her uncle that evening, in
order to give her report of the morning's ride.
"Really, there is not much to be afraid of, uncle. He takes very
good care of Harry. To be sure, I had occasion several times to
check him a little; but he has this good quality in addition to a
considerable aptitude for teaching, that he perceives a hint, and
takes it at once."
Knowing her uncle's formality, and preference for precise and
judicial modes of expression, Euphra modelled her phrase to his
mind.
"I am glad he has your good opinion so far, Euphra; for I confess
there is something about the youth that pleases me. I was afraid at
first that I might be annoyed by his overstepping the true
boundaries of his position in my family: he seems to have been in
good society, too. But your assurance that he can take a hint,
lessens my apprehension considerably. To-morrow, I will ask him to
resume his seat after dessert."
This was not exactly the object of Euphra's qualified commendation
of Hugh. But she could not help it now.
"I think, however, if you approve, uncle, that it will be more
prudent to keep a little watch over the riding for a while. I
confess, too, I should be glad of a little more of that exercise
than I have had for some time: I found my seat not very secure
to-day."