Many years ago, there was an Emperor, who was so excessively fond of new
clothes, that he spent all his money in dress. He did not trouble himself in
the least about his soldiers; nor did he care to go either to the theatre or
the chase, except for the opportunities then afforded him for displa ...
About the Author
Hans Christian Andersen was born in the slums of Odense. His father was a shoemaker and
literate. His mother, who worked as washerwoman, was uneducated and superstitious, but opened
for his son the world of folklore. Andersen's half-sister worked as a prostitute for a time.
Andersen received little education, and as a child he was highly emotional, suffering all kinds
of fears and humiliations because of his tallness and effeminate interests. Andersen's hysterical
attacks of cramps were falsely diagnosed as epileptic fits. Encouraged by his mother he
composed his own fairy tales and arrange puppet theatre shows.
In 1816 his father died and Andersen was forced to go to work. He was for a short time
apprenticed to a weaver and tailor, and he also worked at a tobacco factory. Once his trousers
were pulled down when other workers suspected that he was a girl. At the age of 14 Andersen
moved to Copenhagen to start a career as a singer, dancer or an actor - he had a beautiful
soprano voice. The following three years were full of hardships although he found supporters
who paved his way to the theatre. Andersen succeeded in becoming associated with the Royal
Theater, but he had to leave it when his voice began to change. When he was casually referred
as a poet it changed his plans: "It went through me, body and soul, and tears filled my
eyes. I knew that, from this very moment, my mind was awake to writing and poetry." He
then began to write plays, all of which were rejected.
In 1822 Jonas Collin, one of the directors of the Royal Theatre and an influential government
official, gave Andersen a grant to enter the grammar school at Slagelse. He lived in the home of
the school headmaster Meisling, who was annoyed at the oversensitive student and tried to harden
his character. Other pupils were much younger, 11-year-olds, among whom six years older Andersen
was definitely overgrown.
Collin arranged in 1827 a private tuition for Andersen. He gained admission to Copenhagen
University, where he completed his education. In 1828 Andersen wrote a travel sketch, Fodrejse
Fra Holmens Kanal Til Østpynten Af Amager, a fantastic tale in the style of the German
Romantic writer E.T.A. Hoffmann. Jacob and Wilhelm Grimm Children's
and Household Tales had appeared between 1812 and 1815, but they were based on original
folktales. Andersen's poem 'The Dying Child', was published in a Copenhagen journal and the
Royal Theatre produced in 1829 his musical drama. Phantasier og Skisser, a collection of poems,
was born when Andersen fell in love with Riborg Voight, who was engaged. Edvard, Jonas Collin's
son, was for Andersen another object of unfulfilled dreams.
In succeeding years he also wrote impressionistic prose arabesques, plays, and novels. From
1831 onwards he travelled widely in Europe, and remained a passionate traveller all his life. A
visit to Germany in 1831 inspired the first of his many travel sketches. He later wrote sketches
about Sweden, Spain, Italy, Portugal, and the Middle East. During his journeys Andersen met in
Paris among others Victor Hugo, Heinrich Heine, Balzac and Alexandre Dumas. In London he met
Charles Dickens in 1847, to whom Andersen dedicated A Poet's Day Dreams (1853). In Rome
he met the young writer Björnson.
As a novelist Andersen made his breakthrough with The Improvisatore (1835), using
Italy as the setting. The story was autobiographical and depicted a poor boy's integration into
society, an Ugly Duckling theme of self-discovery in which Andersen returned in several of his
works. The book gained international success and during his life it remained the most widely read
of all his works. E.B. Browning wrote warmly to her future husband of
the novel and her last poem was written for Andersen in 1861, shortly before her death.
However, Andersen's fame rests on his Fairy Tales and Stories, written between 1835 and
1872. The third volume of his tales, published in 1837, ontained 'The Little Mermaid' and 'The
Emperor's New Clothes'. Among Andersen's other best known fairy tales are 'Little Ugly Duckling',
'The Tinderbox,' 'Little Claus and Big Claus', 'Princess and the Pea', 'The Snow Queen', 'The
Nightingale,' and 'The Steadfast Tin Soldier'.
In his fairy tale collections Andersen broke new ground in both style and content, and employed
the idioms and constructions of spoken language in a way that was new in Danish writing. When fairy
tales at his time were didactic, he brought into them ambiguity. His identification with the
unfortunate and outcast made his tales very compelling. Some of Andersen's tales revealed an
optimistic belief in the triumph of the good, among them 'The Snow Queen' and 'Little Ugly Duckling',
and some ended unhappily, like 'The Little Match Girl.' In 'The Little Mermaid' the author expressed
a longing for ordinary life - he never had such. Andersen's tales were translated throughout Europe, with four editions
appearing in the UK in 1846 alone. His works influenced among others Charles
Dickens, Willam Thackeray and Oscar Wilde,
C.S. Lewis, Isak Dinesen, P.O. Enquist, whose play, Rainsnakes, was about Andersen, Cees Noteboom, and
a number of other writers.
Between the years 1840 and 1857 Andersen made journeys throughout Europa, Asia Minor, and Africa,
recording his impressions and adventures in a number of travel books. He wrote and rewrote his memoirs,
The Fairy Tale of My Life, but the standard edition is generally considered the 1855 edition.
Andersen died in his home in Rolighed on August 4, 1875. Edvard Collin and his wife were later buried
with Andersen. However, their family members moved the Collins' bodies after some years to the family
plot in another cemetery.
Author biographies courtesy of Author's Calendar. Used with permission.