The Marble Faun

by Nathaniel Hawthorne

• Chapter I: Miriam, Hilda, Kenyon, Donatello
• Chapter II: The Faun
• Chapter III: Subterranean Reminiscences
• Chapter IV: The Spectre of the Catacomb
• Chapter V: Miriam's Studio
• Chapter VI: The Virgin's Shrine
• Chapter VII: Beatrice
• Chapter VIII: The Suburban Villa
• Chapter IX: The Faun and Nymph
• Chapter X: The Sylvan Dance
• Chapter XI: Fragmentary Sentences
• Chapter XII: A Stroll on the Pincian
• Chapter XIII: A Sculptor's Studio
• Chapter XIV: Cleopatra
• Chapter XV: An Aesthetic Company
• Chapter XVI: A Moonlight Ramble
• Chapter XVII: Miriam's Trouble
• Chapter XVIII: On the Edge of a Precipice
• Chapter XIX: The Faun's Transformation
• Chapter XX: The Burial Chant
• Chapter XXI: The Dead Capuchin
• Chapter XXII: The Medici Gardens
• Chapter XXIII: Miriam and Hilda
• Chapter XXIV: The Tower Among the Apennines
• Chapter XXV: Sunshine
• Chapter XXVI: The Pedigree of Monte Beni
• Chapter XXVII: Myths
• Chapter XXVIII: The Owl Tower
• Chapter XXIX: On the Battlements
• Chapter XXX: Donatello's Bust
• Chapter XXXI: The Marble Saloon
• Chapter XXXII: Scenes by the Way
• Chapter XXXIII: Pictured Windows
• Chapter XXXIV: Market-Day in Perugia
• Chapter XXXV: The Bronze Pontiff's Benediction
• Chapter XXXVI: Hilda's Tower
• Chapter XXXVII: The Emptiness of Picture Galleries
• Chapter XXXVIII: Altars and Incense
• Chapter XXXIX: The World's Cathedral
• Chapter XL: Hilda and a Friend
• Chapter XLI: Snowdrops and Maidenly Delights
• Chapter XLII: Reminiscences of Miriam
• Chapter XLIII: The Extinction of a Lamp
• Chapter XLIV: The Deserted Shrine
• Chapter XLV: The Flight of Hilda's Doves
• Chapter XLVI: A Walk on the Campagna
• Chapter XLVII: The Peasant and Contadina
• Chapter XLVIII: A Scene in the Corso
• Chapter XLIX: A Frolic of the Carnival
• Chapter L: Miriam, Hilda, Kenyon, Donatello
• Conclusion

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