Here she comes, i'faith, full sail, with her fan spread and
streamers out, and a shoal of fools for tenders.--Ha, no, I cry her
I see but one poor empty sculler, and he tows her woman
You seem to be unattended, madam. You used to have the BEAU
MONDE throng after you, and a flock of gay fine perukes hovering
Like moths about a candle. I had like to have lost my
comparison for want of breath.
Oh, I have denied myself airs to-day. I have walked as fast
through the crowd -
As a favourite just disgraced, and with as few followers.
Dear Mr. Witwoud, truce with your similitudes, for I am as
sick of 'em -
As a physician of a good air. I cannot help it, madam, though
'tis against myself.
Yet again! Mincing, stand between me and his wit.
Do, Mrs. Mincing, like a screen before a great fire. I
confess I do blaze to-day; I am too bright.
But, dear Millamant, why were you so long?
Long! Lord, have I not made violent haste? I have asked
every living thing I met for you; I have enquired after you, as
after a new fashion.
Madam, truce with your similitudes.--No, you met her husband,
and did not ask him for her.
By your leave, Witwoud, that were like enquiring after an old
fashion to ask a husband for his wife.
Hum, a hit, a hit, a palpable hit; I confess it.
You were dressed before I came abroad.
Ay, that's true. Oh, but then I had--Mincing, what had I?
Why was I so long?
O mem, your laship stayed to peruse a packet of letters.
Oh, ay, letters--I had letters--I am persecuted with
letters--I hate letters. Nobody knows how to write letters; and yet
one has 'em, one does not know why. They serve one to pin up one's
Is that the way? Pray, madam, do you pin up your hair with
all your letters? I find I must keep copies.
Only with those in verse, Mr. Witwoud. I never pin up my
hair with prose. I think I tried once, Mincing.
Ay, poor Mincing tift and tift all the morning.
Till I had the cramp in my fingers, I'll vow, mem. And all
to no purpose. But when your laship pins it up with poetry, it fits
so pleasant the next day as anything, and is so pure and so crips.
You would affect a cruelty which is not in your nature; your
true vanity is in the power of pleasing.
Oh, I ask your pardon for that. One's cruelty is one's
power, and when one parts with one's cruelty one parts with one's
power, and when one has parted with that, I fancy one's old and
Ay, ay; suffer your cruelty to ruin the object of your power,
to destroy your lover--and then how vain, how lost a thing you'll
be! Nay, 'tis true; you are no longer handsome when you've lost
your lover: your beauty dies upon the instant. For beauty is the
lover's gift: 'tis he bestows your charms:- your glass is all a
cheat. The ugly and the old, whom the looking-glass mortifies, yet
after commendation can be flattered by it, and discover beauties in
it: for that reflects our praises rather than your face.
Oh, the vanity of these men! Fainall, d'ye hear him? If
they did not commend us, we were not handsome! Now you must know
they could not commend one if one was not handsome. Beauty the
lover's gift! Lord, what is a lover, that it can give? Why, one
makes lovers as fast as one pleases, and they live as long as one
pleases, and they die as soon as one pleases; and then, if one
pleases, one makes more.
Very pretty. Why, you make no more of making of lovers,
madam, than of making so many card-matches.
One no more owes one's beauty to a lover than one's wit to
an echo. They can but reflect what we look and say: vain empty
things if we are silent or unseen, and want a being.
Yet, to those two vain empty things, you owe two the greatest
pleasures of your life.
To your lover you owe the pleasure of hearing yourselves
praised, and to an echo the pleasure of hearing yourselves talk.
But I know a lady that loves talking so incessantly, she won't
give an echo fair play; she has that everlasting rotation of tongue
that an echo must wait till she dies before it can catch her last
Oh, fiction; Fainall, let us leave these men.
Draw off Witwoud. [Aside to MRS. FAINALL.]
Immediately; I have a word or two for Mr. Witwoud.