"The cow is there," said Ansell, lighting a match and holding it
out over the carpet. No one spoke. He waited till the end of the
match fell off. Then he said again, "She is there, the cow.
There, now."
The Signora had no business to do it," said Miss Bartlett, "no
business at all. She promised us south rooms with a view close
together, instead of which here are north rooms, looking into a
courtyard, and a long way apart. Oh, Lucy!"
They were all at Charing Cross to see Lilia off--Philip,
Harriet, Irma, Mrs. Herriton herself. Even Mrs. Theobald,
squired by Mr. Kingcroft, had braved the journey from
Yorkshire to bid her only daughter good-bye. Miss Abbott
was likewise attended by numerous relatives, and the sight
o ...
About the Author
English author and critic, member of Bloomsbury group and friend of Virginia Woolf. After gaining fame as a
novelist, Forster spent his 46 remaining years publishing mainly short stories and non-fiction. Of his five important
novels four appeared before World War I. Forster's major concern was that individuals should 'connect the prose with
the passion' within themselves, and that one of the most exacting aspect of the novel is prophecy.
"If human nature does alter it will be because individuals manage to look at themselves in a
new way. Here and there people - a very few people, but a few novelists are among them - are trying to do this. Every
institution and vested interest in against such a search: organized religion, the State, the family in its economic
aspect, have nothing to gain, and it is only when outward prohibitions weaken that it can proceed: history conditions
it to that extent." (from Aspects of the Novel, 1927)
Edward Morgan Forster was born in London as the son of an architect, who died before his only child was two years
old. Forster's childhood and much of his adult life was dominated by his mother and his aunts. The legacy of her
paternal great-aunt Marianne Thornton, descendant of the Clapham Sect of evangelists and reformers, gave later
Forster the freedom to travel and to write. Forster's years at Tonbridge School as a teenager were difficult - he
suffered from the cruelty of his classmates.
Forster attended King's College, Cambridge (1897-1901), where he met members of the later formed Bloomsbury group.
In the atmosphere of skepticism, he became under the influence of Sir Jamer Frazer, Nathaniel Wedd, Goldsworthy Lowes
Dickinson, and G.E. Moore, and shed his not very deep Christian faith. After graduating he travelled in Italy and
Greece with his mother, and on his return began to write essays and short stories for the liberal Independent
Review. In 1905 Foster spent several month in German as tutor to the children of the Countess von Armin.
In the same year appeared his first novel, Where Angels Fear to Tread. In the following year he lectured on
Italian art and history for the Cambridge Local Lectures Board. In 1907 appeared The Longest Journey, then A Room
With a View (1908), based partly on the material from extended holidays in Italy with his mother. The first part of
the novel is set in Florence, where the young Lucy Honeychurch is visitng with her older cousin Charlotte Bartless.
Lucy witnesses a murder and becomes caught between two man, shallow, conventional Cecil Vyse and George Emerson, who
kisses Lucy during a picnic. The second half of the novel takes place at Windy Corner, Lucy's home on Summer Street.
She accepts a marriage proposal from Cecil. The Emerson become friends of the Honeychurches after George, Mr. Beebe,
who is a clergyman, and Freddie, Lucy's brother, are discovered bathing nude in the woods. Finally Lucy overcomes
prejudices and marries George. Forster also wrote during the pre-war years a number of short stories, which were
collected in The Celestial Omnibus (1914). Most of them were symbolic fantasies or fables.
Howards End (1910) was a story that centered on an English country house and dealt with the clash between two
families, one interested in art and literature, the other only in business. The book brought together the themes of
money, business and culture. "To trust people is a luxury in which only the wealthy can indulge; the poor
cannot afford it." (from Howards End) The novel established Forster's reputation, and he embarked
upon a new novel with a homosexual theme, Maurice. The picture of British attitudes not long after Wilde was revised
several times during his life, and finally published posthumously in 1971. His personal life Forster hid from public
discussion. In 1930 he had a relationship with a London policeman. This important contact continued after the
marriage of his London friend.
Between the years 1912 and 1913 Forster travelled in India. From 1914 to 1915 he worked for the National Gallery
in London. Following the outbreak of World War I, Forster joined the Red Cross and served in Alexandria, Egypt. There
he met the Greek poet C.P. Cavafy, and published a selection of his poems in Pharaos and Pharillon (1923). In 1921
Forster returned to India, working as a private secretary to the Maharajah of Dewas. The land was the scene of his
masterwork A Passage to India (1924), an account of India under British rule. It was Forter's last novel - and for
the remaining 46 years of his life he devoted himself to other activities. Writing novels was not the most important
element in his life. In the book he wrote: "Most of life is so dull that there is nothing to be
said about it and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of
justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the
most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend."
After Forster's death his literary executors turned down approaches from Joseph Losey, Ismail Merchant and James
Ivory, and Waris Hussein, to make a feature film version of the book, but eventually David Lean was approved as
director. Forster had shared with T.E. Lawrence a dislike and distrut of the cinema. The two last chapetrs of A
Passage to India Forster had also written under the influence of Lawrence's The Seven Pillars of Wisdom. Later
Lean was criticized that he produced his own vision of India, not Forster's. He also changed the ending of the story,
defending himself: "Look, this novel was written hot on the movement for Indian independence. I think the end is a
lot of hogwash so far as a movie is concerned." (from David Lean: A Biography by Kevin Brownlow,
1996)
Passage to India (1924) - Adela Quested visits Chandrapore with Mrs Moore in order to make
up her mind whether to marry the latter's son. Mrs Moore meets his friend Dr Azis, assistant to the British Civil
Surgeon. She and Adela accept Azis's invitation to visit the mysterious Marabar Caves. In this trip Mrs Moore nearly
faints in the cave and goes mad for an instant. Adela asks Azis, "Have you one wife or more than one?" and he is
shocked. "But to ask an educated Indian Moslem how many wive he has - appalling, hideous!" She believes herself to
have been the victim of a sexual assault by Azis, who is arrested. Adela is pushed forward by his frieds and family
but she admits that she was mistaken. "Something that she did not understand took hold of the girl and pulled her
through. Though the vision was over, and she had returned to the insipidity of the world, she remembered what she had
learnt. Atonement and confession - they could wait. It was in hard prosaic tones that she says: 'I withdraw
everything.'" Mrs Moore dies on the voyage home at sea. "The heat, I suppose," Mr Hamidullah says. Azis has changed
his liberal views. "We may hate one another, but we hate you most. If I don't make you go, Ahmed will, Karim will, if
it's fifty-hundred years we shall get rid of you; yes, we shall drive every blasted Englishman into the sea, and
then' - he rode against him furiously - 'and then,' he concluded, half kissing him, 'you and I shall be friends.'" -
The novel's title derives from Walt Whitman, but the American poet's celebration of the opening of the Suez Canal as
bringing together East and West is qualified by Kipling's assertion that 'ne'er the twain shall meet.' The Nobel
writer V.S. Naipaul has claimed once that Forster knew hardly anything about India: "He just knew a few middle-class
Indians and the garden boys whom he wished to seduce."
Forster contributed reviews and essays to numerous journals, most notably the Listener, he was an active
member of PEN, in 1934 he became the first president of the National Council for Civil Liberties, and after his
mother's death in 1945, he was elected an honorary fellow of King's and lived there for the remainder of his life. In
1949 Forster refused a knighthood and in 1951 he collaborated with Eric Crozier on the libretto of Benjamin Britten's
opera Billy Budd, which was based on Herman Melville's novel (film 1962, dir. by Peter Ustinov). Forster was made a
Companion ofHonour in 1953 and in 1969 he accepted an Order of Merit. Forster died on June 7, 1970.
Author biographies courtesy of Author's Calendar. Used with permission.