With a single drop of ink for a mirror, the Egyptian sorcerer
undertakes to reveal to any chance comer far-reaching visions of
the past. This is what I undertake to do for you, reader. With
this drop of ink at the end of my pen, I will show you the roomy
workshop of Mr. Jonathan Burge, carpen ...
Among the many fatalities attending the bloom of young desire, that
of blindly taking to the confectionery line has not, perhaps, been
sufficiently considered. How is the son of a British yeoman, who
has been fed principally on salt pork and yeast dumplings, to know
that there is satiety for t ...
The time of my end approaches. I have lately been subject to
attacks of angina pectoris; and in the ordinary course of things,
my physician tells me, I may fairly hope that my life will not be
protracted many months. Unless, then, I am cursed with an
exceptional physical constitution, as I am ...
Who that cares much to know the history of man, and how the mysterious
mixture behaves under the varying experiments of Time, has not dwelt,
at least briefly, on the life of Saint Theresa, has not smiled
with some gentleness at the thought of the little girl walking
forth one morning hand ...
In the days when the spinning-wheels hummed busily in the farmhouses--
and even great ladies, clothed in silk and thread-lace, had their
toy spinning-wheels of polished oak--there might be seen in
districts far away among the lanes, or deep in the bosom of the
hills, certain pallid undersized m ...
About the Author
Victorian writer, a humane freethinker, whose insightful psychological novels paved way to modern character
portrayals - contemporary of Dostoevsky (1821-1881), who at the same time in Russia developed similar narrative
techniques. Eliot's liaison with the married writer and editor George Henry Lewes arise among the rigid Victorians
much indignation, which calmed down with the progress of her literary fame.
"Marriage, which has been the bourne of so many narratives, is still a great beginning, as it
was to Adam and Eve, who kept their honeymoon in Eden, but had their first little one among the thorns and thistles
of the wilderness. It is still the beginning of the home epic - the gradual conquest or irremediable loss of that
complete union which makes the advancing years as a climax, and age the harvest of sweet memories in common."
(from Middlemarch, 1871-72)
Mary Ann Evans (George Eliot) was born in Chilvers Coton, Warwickshire. Her father was a carpenter who rose to be
a land agent. When she was a few months old, the family moved to Griff, a 'cheerful red-brick, ivory-covered house',
and there Eliot spent 21 years of his life among people that he later depicted in her novels. She was educated at
home and in several schools, and developed a strong evangelical piety at Mrs. Wallington's School at Neneaton.
However, later Eliot rejected her dogmatic faith. When her mother died in 1836, she took charge of the family
household. In 1841 she moved with her father to Coventry, where she lived with him until his death in 1849. During
this time she met Charles Bray, a free-thinking Coventry manufacturer. His wife, Caroline (Cara) was the sister of
Charles Hennel, the author of a work entitled An Inquiry Concerning the Origin of Christianity (1838). The
reading of this and other rationalistic works influenced deeply Eliot's thoughts. After her father's death, Eliot
travelled around Europe. She settled in London and took up work as subeditor of Westminster Review.
In Coventry she met Charles Bray and later Charles Hennell, who introduced her to many new religious and political
ideas. Under Eliot's control the Westminster Review enjoyed success. She became the centre of a literary
circle, one of whose members was George Henry Lewes, who would be her companion until his death in 1878. Lewes's wife
was mentally unbalanced and she had already had two children by another man. In 1854 Eliot went to Germany with
Lewes. Their unconventional union caused some difficulties because Lewes was still married and he was unable to
obtain divorce. Eliot did not inform her close friends Caroline and Sarah Hennell about her decision to live with
Lewes - the both friends were shocked and angry because she had not trusted them.
Eliot's first collection of tales, Scenes of Clerical Life, appeared in 1858 under the pseudonym George Eliot - in
those days writing was considered to be a male profession. It was followed by her first novel, Adam Bede, a tragic
love story in which the model for the title character was Eliot's father. He was noted for his great physical
strength, which enabled him to carry loads that three average men could barely handle. When impostors claimed
authorship of Adam Bede, it was revealed that Marian Evans, the Westminster reviewer, was George Eliot.
The book was a brilliant success. Her other major works include The Mill on the Floss (1860), a story of destructive
family relations, and Silas Marner (1861). Silas Marner, a linen-weaver, has accumulated a goodly sum of gold. He was
falsely judged guilty of theft 15 years before and left his community. Squire Cass' son Dunstan steals Marner's gold
and disappears. Marner takes care of an orphaned little girl, Eppie and she becomes for him more precious than the
lost property. Sixteen years later the skeleton of Dunstan and Marner's gold is found. Godfrey Cass, Dunstal's
brother, admits that he is the father of Eppie. He married the girl's mother, opium-ridden Molly Farren secretly
before hear death. Eppie and Silas Marner don't wish to separate when Godfrey tries to adopt the girl. In the end
Eppie marries Aaron Winthorp, who accepts Silas Marner as part of the household.
Middlemarch (1871-72), her greatest novel, was probably inspired by her life at Coventry. The story follows the
sexual and intellectual frustrations of Dorothea Brooke. Eliot weaves into her story other narrative lines, which
offer a sad comment upon human aspirations. Among Eliot's translation works are D.F. Strauss's Das Leben Jesu
kritisch bearbeitet (published anonymously in 1846), Ludwig Feuerbach's Das Wesen des Christentum, and
Spinoza's Ethics (unpublished). Eliot's thoughts of religion were considered at that time advanced. When she
visited Cambridge University in 1873 and discussed with F.W.H. Mayers of "the words of God, Immortality, and Duty",
she pronounced "with terrible earnestness how inconceivable was the first, how unbelievable was the second, and yet
how peremptory and absolute the third."
Middlemarch is a novel of English provincial life in the early nineteenth century, just before the Reform
Bill of 1832. The book was called by the famous American writer Henry James a 'treasure-house of detail.' It fuses
several stories and characters, creating a a network of parallels and contrasts. One of Eliot's main concerns is the
way which the past moulds the present and the attempts of various characters to control the future. Harold Bloom has
noted in The Western Canon (1994) the implicit but clear relation of the work to Dante's Comedy.
Dorothea, an idealistic young woman, marries the pedantic Casaubon. After his death she marries Will Ladislaw,
Casaubon's young cousin, a vaguely artistic outsider. Doctor Tertius Lydgate is trapped with the egoistic Rosamond
Vincy, the town's beauty. Lydgate becomes involved in a scandal, and he dies at 50, his ambitions frustrated. Other
characters are Bulstrode, a banker and a religious hypocrite, Mary Garth, the practical daughter of a land agent, and
Fred Vincy, the son of the mayor of Middlemarch. For modern feminist readers Middlemarch has been a
disappointment: Dorothea was not prepared to give up marriage. "'I know that I must expect trials, uncle. Marriage is
a state of higher duties, I never thought of it as mere personal ease,' said poor Dorothea." However, Eliot's lament
for Dorothea left no doubts about her views: "Some have felt that these blundering lives are due to the inconvenient
indefiniteness with which the Supreme Power has fashioned the nature of women: if there were one level of feminine
incompetence as strict as the ability to count three and no more, the social lot of women might be treated with
scientific certitude. Meanwhile the indefiniteness remains, the the limits of variation are really much wider than
any one would imagine from the sameness of women's coiffure and the favorite lovestories in prose and verse." - The
book is required reading in university English courses.
In 1860-61 Eliot spent some time in Italy collecting material for her historical romance Romola. It was published
serially first in the Cornhill Magazine and in book form in 1863. Henry James considered it the finest thing
she wrote, "but its defects are almost on the scale of its beauties." In 1871 she mentioned to Alexander Main: "I
have the conviction that excessive literary production is a social offence." When Harriet Beecher Stowe wrote
admiringly of Silas Marner in 1869 Eliot began a correspondence with her. In a letter from 1876 she wrote about
Daniel Deronda (1876): "As to the Jewish element in 'Deronda', I expected from first to last in writing it, that it
would create much stronger resistance and even repulsion than it has actually met with. But precisely because I felt
that the usual attitude of Christians towards Jews is - I hardly know whether to say more impious or more stupid when
viewed in the light of their professed principles, I therefore felt urged to treat Jews with such sympathy and
understanding as my nature and knowledge could attain to. Moreover, not only towards the Jews, but towards all
oriental peoples with whom we English come in contact, a spirit of arrogance and contemptuous dictatorialness is
observable which has become a national disgrace to us."
After Lewes's death Eliot married twenty years younger friend, John Cross, an American banker, on May 6, 1880.
They made a trip to Italy and according to a story, he jumped in Venice from their hotel balcony into the Grand
Canal. After honeymoon they returned to London, where she died of a kidney ailment on the same year on December 22.
Cross never married again. In her will she expressed her wish to be buried in Westminster Abbey, but Dean Stanley of
Westminster Abbey rejected the idea and Eliot was buried in Highgate Cemetery. Eliot's interest in the interior life
of human beings, moral problems and strains, anticipated the narrative methods of modern literature. D.H. Lawrence
once wrote: "It was really George Eliot who started it all. It was she started putting action inside." The young
Henry James described her "magnificently, awe-inspiringly ugly," but also studied her work carefully, critically, and
acknowledged her greatness as a writer: "What is remarkable, extraordinary - and the process
remains inscrutable and mysterious - is that this quiet, anxious, sedentary, serious, invalidical English lady,
without animal spirits, without adventures, without extravagance, assumption, or bravado, should have made us believe
that nothing in the world was alien to her; should have produced such rich, deep, masterly pictures of the multifold
life of man." (Henry James in The Atlantic monthly, May 1885)
Author biographies courtesy of Author's Calendar. Used with permission.