The pages which follow have been extracted from a pile of
manuscript which was apparently meant for the eye of one woman
only. She seems to have been the writer's childhood's friend.
They had parted as children, or very little more than children.
Years passed. Then something recalled to the w ...
I believe he had seen us out of the window coming off to dine in the
dinghy of a fourteen-ton yawl belonging to Marlow my host and
skipper. We helped the boy we had with us to haul the boat up on
the landing-stage before we went up to the riverside inn, where we
found our new acquaintance eati ...
The Nellie, a cruising yawl, swung to her anchor without
a flutter of the sails, and was at rest. The flood had made,
the wind was nearly calm, and being bound down the river,
the only thing for it was to come to and wait for the turn
of the tide.
When this novel first appeared in book form a notion got about that I
had been bolted away with. Some reviewers maintained that the work
starting as a short story had got beyond the writer's control. One
or two discovered internal evidence of the fact, which seemed to amuse
them. They poi ...
"Nostromo" is the most anxiously meditated of the longer novels
which belong to the period following upon the publication of the
"Typhoon" volume of short stories.
"An Outcast of the Islands" is my second novel in the absolute
sense of the word; second in conception, second in execution,
second as it were in its essence. There was no hesitation,
half-formed plan, vague idea, or the vaguest reverie of anything
else between it and "Almayer's Folly." The o ...
The shallow sea that foams and murmurs on the shores of the
thousand islands, big and little, which make up the Malay
Archipelago has been for centuries the scene of adventurous
undertakings. The vices and the virtues of four nations have been
displayed in the conquest of that region that even ...
THE main characteristic of this volume consists in
this, that all the stories composing it belong not only to the
same period but have been written one after another in the order
in which they appear in the book.
We were driving along the road from Treguier to Kervanda. We passed at
a smart trot between the hedges topping an earth wall on each side of
the road; then at the foot of the steep ascent before Ploumar the
horse dropped into a walk, and the driver jumped down heavily from the
box. He flicked h ...
The inner circle train from the City rushed impetuously out of a
black hole and pulled up with a discordant, grinding racket in the
smirched twilight of a West-End station. A line of doors flew open and
a lot of men stepped out headlong. They had high hats, healthy pale
faces, dark overcoats an ...
THIS could have occurred nowhere but in England,
where men and sea interpenetrate, so to speak--the sea
entering into the life of most men, and the men knowing
something or everything about the sea, in the way
of amusement, of travel, or of bread-winning.
About the Author
Polish-born English novelist and short-story writer. In his famous preface to The Nigger of
the 'Narcissus' (1897) Conrad crystallized his often quoted goal as a writer:"My task
which I am trying to achieve is, by the power of the written word, to make you hear, to make you
feel - it is, above all, to make you see. That - and no more, and it is everything." Among
Conrad's most popular works are Lord Jim (1900) and Heart of Darkness (1902). Conrad discouraged
interpretation of his sea novels through evidence from his life, but several of his novels drew
the material, events, and personalities from his own experiences in different parts of the world.
While making his first voyages to the West Indies, Conrad met the Corsican Dominic Cervoni, who
was later model for central figures of romantic daring in his fiction. Conrad often fictionalized
the historical moments of liberation of the oppressed, but he focused on the colonists, especially
those not already committed to liberation.
Conrad was born in Berdichev, in the Ukraine, in a region that had once been a part of Poland but
was then under Russian rule. His father Apollo Korzeniowski was a poet and translator of English and
French literature. As a boy the young Joseph read Polish and French versions of English novels with
his father. When Apollo Korzeniowski became embroiled in political activities, he was sent to exile
with his family to Volgoda, northern Russia, in 1861.
By 1869 Conrad's both parents had died of tuberculosis, and he was sent to Switzerland to his
maternal uncle Tadeusz Bobrowski, who was to be a continuing influence on his life. Conrad attended
schools in Kraków and persuaded his uncle to let him go to the sea. In the mid-1870s he joined
the French merchant marine as an apprentice, and made three voyages to the West Indies between 1875
and 1878. During his youth Conrad also was involved in arms smuggling for the Carlist cause in Spain.
After being wounded in a duel or of a self-inflicted gunshot in the chest, Conrad continued his
career at the seas for 16 years in the British merchant navy. He rose through the ranks from common
seaman to first mate, and by 1886 he obtained his master mariner's certicicate, commandig his own ship,
Otago. In the same year he was given British citizenship and he changed officially his name to
Joseph Conrad.
In the following years Conrad sailed to many parts of the world, including Australia, various ports
of the Indian Ocean, Borneo, the Malay states, South America, and the South Pasific Island. In 1890 he
sailed in Africa up the Congo River. The journey provided much material for his novel Heart of Darkness
(1902). However, the fabled East Indies particularly attracted Conrad and it became the setting of many
of his stories. By 1894 Conrad's sea life was over. During the long journeys he had started to write and
Conrad decided to devote himself entirely to literature. At the age of 36 Contad settled down in England.
Although Conrad is known as a novelist, he tried his hand also as a playwright. His first one-act play
was not success - the audience rejected it. But after finishing the text he learned the existence of the
Censor of the Plays, which inspired his satirical essay about the obscure civil servant. Conrad was an
anglophile who regarded Britain as a land which respected individual liberties. As a writer he accepts the
verdict of a free and independent public, and associates this official figure of censorship to the atmosphere
of the Far East and the 'mustiness of the Middle Ages', but it shouldn't be part of the twentieth-century
England.
Conrad married in 1896 Jessie George, an Englishwoman, by whom he had two sons. He moved to Ashford,
Kent and exept trips to France, Italy, Poland, and to the United States in 1923, Conrad lived in his new
home country. His first novel, Almayer's Folly, appeared in 1895. The story depicted a derelict Dutchman,
who traided on the jungle rivers of Borneo. It was followed by An Outcast of the Islands (1896), less assured
in its use of English. The Nigger of the 'Narcissus' was a complex story of a storm off the Cape
of Good Hope and of an enigmatic black sailor. Lord Jim, the first of his books narrated by Marlow,
reflected the ideal of an English gentleman and a sailor Conrad wanted to be. In Youth (1902) the title
story recorded his experiences on the sailing-ship Palestine. Nostromo (1904) was an imaginative
novel which again explored man's vulnerability and corruptibility. It includes one of Conrad'smost suggestive
symbols, the silver mine. In the story the Italian Nostromo ('our man') is destroyed for his appetite for
adventure and glory but with his death the secret of the silver is lost forever.
The period between The Nigger of the 'Narcissus' and Under Western Eyes (1911), a suprisingly
Dostoevsky-like novel, is considered artistically Conrad's most productive. These years brough him recognition
from such writers as John Galsworthy and Ford Madox Ford, with whom he wrote three works - The Inheritors
(1901), Romance (1903), and The Nature of Crime (1924). Although Conrad was prolific, his financial situation
wasn't secure until 1913 with the publication of Change.
The last years of his life were shadowed by rheumatism. He refused an offer of knighthood in 1924 as he
had earlier declined honorary degrees from five universities. Conrad died on August 3, 1924, of a heart
attack and was buried in Canterbury. Conrad's influence upon 20th-century literature was wide. F. Scott
Fitzgerald too his cue for his Nick-Carraway-Jay Gatsby formula from the Marlow-Kurtz relationship, Ernest
Hemingway expressed special admiration for the author, and his impact is seen in among others in the work
of Arthur Koestler, T.S. Eliot, Marcel Proust, André Malraux, Louis-Ferdiand Céline, Jean-Paul
Sartre, and Graham Greene.
Author biographies courtesy of Author's Calendar. Used with permission.