Late one brilliant April afternoon Professor
Lucius Wilson stood at the head of Chestnut Street,
looking about him with the pleased air of a man
of taste who does not very often get to Boston.
He had lived there as a student, but for
twenty years and more, since he had been
Professor of Philoso ...
Last summer I happened to be crossing the plains of Iowa in a season of
intense heat, and it was my good fortune to have for a traveling companion
James Quayle Burden--Jim Burden, as we still call him in the West. He and
I are old friends--we grew up together in the same Nebraska town--and we
...
One January day, thirty years ago, the little town of Hanover,
anchored on a windy Nebraska tableland, was trying not to be blown
away. A mist of fine snowflakes was curling and eddying about the
cluster of low drab buildings huddled on the gray prairie, under
a gray sky. The dwelling-houses ...
The transcontinental express swung along the windings of the
Sand River Valley, and in the rear seat of the observation car a
young man sat greatly at his ease, not in the least discomfited by
the fierce sunlight which beat in upon his brown face and neck and
strong back. There was a look of r ...
Everett Hilgarde was conscious that the man in the seat
across the aisle was looking at him intently. He was a large,
florid man, wore a conspicuous diamond solitaire upon his third
finger, and Everett judged him to be a traveling salesman of some
sort. He had the air of an adaptable fellow w ...
We had our swim before sundown, and while we were cooking our
supper the oblique rays of light made a dazzling glare on the white
sand about us. The translucent red ball itself sank behind the
brown stretches of cornfield as we sat down to eat, and the warm
layer of air that had rested over th ...
It was a great night at the Lone Star schoolhouse--a night
when the Spirit was present with power and when God was very near
to man. So it seemed to Asa Skinner, servant of God and Free
Gospeller. The schoolhouse was crowded with the saved and
sanctified, robust men and women, trembling and q ...
As the train neared Tarrytown, Imogen Willard began to
wonder why she had consented to be one of Flavia's house party at
all. She had not felt enthusiastic about it since leaving the
city, and was experiencing a prolonged ebb of purpose, a current
of chilling indecision, under which she vainly ...
When Caroline Noble's friends learned that Raymond d'Esquerre was
to spend a month at her place on the Sound before he sailed to fill
his engagement for the London opera season, they considered it
another striking instance of the perversity of things. That the
month was May, and the most mild ...
The sequence of events was such that MacMaster did not make his
pilgrimage to Hugh Treffinger's studio until three years after that
painter's death. MacMaster was himself a painter, an American of
the Gallicized type, who spent his winters in New York, his summers
in Paris, and no inconsiderab ...
Near Rattlesnake Creek, on the side of a little draw stood
Canute's shanty. North, east, south, stretched the level
Nebraska plain of long rust-red grass that undulated constantly
in the wind. To the west the ground was broken and rough, and a
narrow strip of timber wound along the turbid, mu ...
A group of the townspeople stood on the station siding of a
little Kansas town, awaiting the coming of the night train, which
was already twenty minutes overdue. The snow had fallen thick
over everything; in the pale starlight the line of bluffs across
the wide, white meadows south of the town ...
I received one morning a letter, written in pale ink on
glassy, blue-lined notepaper, and bearing the postmark of a
little Nebraska village. This communication, worn and rubbed,
looking as though it had been carried for some days in a coat
pocket that was none too clean, was from my Uncle Howa ...
About the Author
American novelist noted for her novels about immigrants struggling to make a living in the Midwest
during the late 1800s. Various critics have placed Cather among feminist writers, antifeminist writers,
and even lesbian writers. She authored 12 novels, the most popular of which include My Antonia (1918),
O Pioneers! (1913), The Song of the Lark (1915), and Death Comes for the Archbishop (1927).
In her works Cather created strong female characters, who had the courage and vision to face all obstacles
in their difficult lives.
Willa Cather was born in Back Creek Valley (now Gore), near Winchester, Virginia. At the age of nine
she moved with her family to a farm near Red Clour, in the Nebraska settler country. There she grew up
among the immigrants from Europe, most of them coming from Scandinavia, who were establishing homesteads
on the Great Plains. This milieu, wide opren spaces with its people forms the background for half of
Cather's novels and many short stories depicting the frontier life on the American plains.
The new ranch was not a success, and in 1884 the family moved to the small railroad town of Red Cloud,
where Cather's father opened an insurance business. Cather was educated at home, and later she attended
Red Cloud High School. From an early age, Cather was troubled by her sexual identity. She preferred to
dress in men's clothing and as a teenages she began signing her name "William Cather, Jr." and later Dr.
Will." Cather also was active in community theater productions and often took male roles.
In 1890 Cather moved to Lincoln to escape the conservatism of the small town - she never married but
in later life in New York she found lifelong companion, Edith Lewis. In a letter to Louise Pound, a close
college friend, Cather confessed that she thought it unfair that feminine friendships were `unnatural'.
Cather studied at Latin School (1891-92), and the University of Nebraska (1891-95). While still an
undergraduate she began publishing short stories and she also wrote a weekly column for the Nebraska
State Journal.
After receiving her Cather A.B. in 1895 lived in Pittsburg with Isabelle McClung. She spent 10 years
there, first as a newspaper woman and then as a high-school teacher of English and Latin. Cather worked
as an editorial staff member for Home Monthly and telegraph editor and theatre critic for Daily
Leader. In 1897-1901 she was Latin and English teacher at Central High School and then English teacher
at Allegheny High School. In 1903 Cather made her debut as a writer with April Twilights, her only volume
of poetry.
McClung married in 1915, but Cather had already met Edith Lewis while traveling to New York during this
period. At the age of 32 Cather moved to New York to live with Lewis and to edit McClure's Magazine.
Her first novel, Alexander's Bridge, appeared in 1912, and was followed a year later O Pioneers!.
Cather was 40 when the book appeared. It was an archetypal success story of a daughter of Swedish immigrant
farmers, Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, and grows up to
make it a prosperous farm. Cather resigned in 1912 from McClure's, began writing full-time, and
traveled to the Southwest, returning there a few years later. The theme of a journey appeared in her novel,
The Song of the Lark, which was partly set in Walnut Canyon, Arizona, and took the form of the opera
singer Thea Kronberg's pursuit of artistic excellence.
My Antonia, another story of Nebraska, celebrated the land and the immigrant pioneers, and linked
the enduring figure of Antonia to the lifeforce itself. The book consists of the loosely-structured memories
of Jim Burden, who recounts tales of his Nebraska farm upbringing, and especially of the beautiful immigrant
girl from Bohemia, Antonia Shimerda, whom he loves with a pure innocence. My Antonia is among Cather's
finest work, but later critics have also pointed out that though Cather did not deal specifically with
lesbianism, normal sex stands barred from her fictional world and her male characters often have female
attitudes and interests. Jim Burden grows up in the novel with an intuitive fear of sex and only in fantasy
he allows a half-nude woman to smother him with kisses. The original of Antonia was Annie Sadilek Pavelka,
whom Cather had met in childhood and with whom he maintained a lifelong frienship.
In 1922 Cather won the Pulizer Prize for her novel One of Ours, which depicted a boy from the Western
plains, who leaves home to fight in World War I and is killed during in France. Ernest Hemingway, in a
letter to critic Edmund Wilson, expressed disdain at Cather's having received the prize, remarking that
she must have drawn the battlefield scene from the film Birth of a Nation.
In the years following WW I Cather became gravely distressed by the loss of spiritual values that
accompanied the growth of materialism and technology in the 20th-century. Her jugment of contemporary society
was seen in A Lost Lady (1923), depicting the conflict between heroic builders of the West and cruel men of
the present, and The Professor's House (1925), presenting a conflict between the middle-aged disillusion of
Professor St Peter with his memories of his favorite student, who had discovered ancient Indian civilization
in New Mexico.
Cather's twelve novels and short fiction fall into three groups: tales influenced by
Henry James, works dealing with immigrant life in the West, and historical
novels, such as Death Comes for the Archbishop (1927). The novel is based on the lives of Bishop Jean Babtiste
L'Amy and his vicar Father Joseph Machebeauf, who organize the new Roman Catholic diocese of New Mexico. The
novel focused on Bishop Jean Latour's and vicar Father Joseph Vaillant's inner conflicts, their relationship
with the land and the tension between Old World values and life in the New World. Also Cather's own world
view was changing. She joined the Episcopalian Churc and demonstrated her growing distate for the modern values.
Cather published little in her last years. She developed a close friendship with Yehudi Menuhin and his
sisters. In Not Under Forty (1936) Cather recorded her own debt as writer to Sarah Orne Jewett (1849-1909),
who wrote about life in New England. Cather's last novel, Sapphira and the Slave (1940), looks at the
relationships between African-American women, and mothers and daughters. It is her only novel which was set
in the Virginia of her grandmother. Cather died on April 24, 1947.
Author biographies courtesy of Author's Calendar. Used with permission.