The flying ship of Professor Lucifer sang through the skies like
a silver arrow; the bleak white steel of it, gleaming in the
bleak blue emptiness of the evening. That it was far above the
earth was no expression for it; to the two men in it, it seemed
to be far above the stars. The pro ...
Between the silver ribbon of morning and the green glittering
ribbon of sea, the boat touched Harwich and let loose a swarm of
folk like flies, among whom the man we must follow was by no means
conspicuous--nor wished to be. There was nothing notable about
him, except a slight contrast between ...
Harold March, the rising reviewer and social
critic, was walking vigorously across a great
tableland of moors and commons, the horizon
of which was fringed with the far-off woods of
the famous estate of Torwood Park. He was
a good-looking young man in tweeds, with
very pale curly hair and pale ...
It is very difficult to classify The Man Who Was Thursday. It is
possible to say that it is a gripping adventure story of murderous
criminals and brilliant policemen; but it was to be expected that
the author of the Father Brown stories should tell a detective
story like no-one else. On ...
A wind sprang high in the west, like a wave of unreasonable happiness,
and tore eastward across England, trailing with it the frosty
scent of forests and the cold intoxication of the sea.
It a million holes and corners it refreshed a man like a flagon,
and astonished him like a blow. In ...
He had just finished a hearty breakfast, in the society of his daughter,
at a table under a tree in his garden by the Cornish coast. For, having a
glorious circulation, he insisted on as many outdoor meals as possible,
though spring had barely touched the woods and warmed the seas round
that so ...
THE consulting-rooms of Dr Orion Hood, the eminent criminologist
and specialist in certain moral disorders, lay along the sea-front
at Scarborough, in a series of very large and well-lighted french windows,
which showed the North Sea like one endless outer wall of blue-green marble.
In such a ...
I cannot understand the people who take literature seriously; but I can
love them, and I do. Out of my love I warn them to keep clear of this
book. It is a collection of crude and shapeless papers upon current or
rather flying subjects; and they must be published pretty much as they
stand ...
About the Author
Prolific English critic and author of verse, essays, novels, and short stories. Chesterton was
with George Bernard Shaw, Hilaire Belloc, and H.G. Wells among
the big Edwardian men of letters. He is probably best known for his series about the priest-detective
Father Brown who appeared in 50 stories. Between 1900 and 1936 Chesterton published some one hundred
books.
G.K. Chesterton was born in London into a middle-class family. He did not learn to read until he
was over eight and one of his teachers told him, "If we opened your head, we should not find brain
but only a lump of white fat." Chesterton studied at University College and the Slade School of Art
(1893-96). Around 1893 he had gone through a crisis of skepticism and depression and during this
period Chesterton experimented with the Ouija board and grew fascinated with diabolism.- In 1895
Chesterton left University College without a degree and worked for the London publisher Redway, and
T. Fisher Unwin (1896-1902). Much of his works were first published in such publications as The
Speaker,Daily News, Illustrated London News, Eye Witness, New Witness,
and in his own G.K.'s Weekly. Chesterton renewed his Christian faith; also the courtship of his
future wife, Frances Blogg, whom he married in 1901, helped him to pull himself out of the spiritual
crisis.
In 1900 appeared Greybeards at Play, Chesterton's first collection of poems. Robert Browning (1903)
and Charles Dickens (1906) were literary biographies, The Napoleon of Notting Hill (1904) was Chesterton's
first novel, a political fantasy, in which London is seen as a city of hidden fairytale glitter, and in
The Man Who was Thursday (1908) Chesterton depicted fin-de-siècle decadence. The protagonist, Syme,
is a poet turned an employee of Scotland Yard, who reveals a vast conspiracy against civilization. The
members of the secret anarchist gang are named for days of the week. Sunday is the most mysterious
character who tells that since" the beginning of the world, all men have hunted me like a wolf - kings
and sages, and poets and law-givers, all the churches, and all the philosophers. But I have never been
caught yet." A stage adaptation of the story by Mrs Cecil Chesterton and Ralph Neale was produced in
1926.
In 1909 Chesterton moved with his wife to Beaconsfield, a village twenty-five miles west of London, and
continued to write, lecture, and travel energetically. Between 1913 and 1914 Chesterton was regular
contributor for the Daily Herald. In 1914 he suffered a physical and nervous breakdown. After World
War I Chesterton became leader of the Distributist movement and later the President of the Distributist
League, promoting the idea that private property should be divided into smallest possible freeholds and
then distributed throughout society. In his writings Chesterton also expressed his distrust of world
government and evolutionary progress, his views were often ruralist, antimodernist, Victorian. He was also
very popular radio lecturer, engaging in a series of debates with George
Bernard Shaw. His younger brother, Cecil, died in 1918 and Chesterton edited his brother's the New
Witness and his own G.K.'s Weekly.
In 1922 Chesterton was converted from Anglicanism to Roman Catholicism, and thereafter he wrote several
theologically oriented works, including lives of Francis of Assisi and Thomas Aquinas. Chesterton received
honorary degrees from Edinburgh, Dublin, and Notre Dame universities. In 1934 he was made Knight Commander
with Star, Order of St. Gregory the Great. - Chesterton died on June 14, 1936, at his home in Beaconsfield.
His coffin, too big to be carried down the staircase, had to be lowered from the window to the ground.
Dorothy Collins, Chesterton's secretary, managed his literary estate until her death in 1988.
Father Brown debuted in "The Blue Cross" in the Storyteller in 1910. To wider public the character
became first known from Chesterton's book The Innocence of Father Brown (1911), a collection of twelve cases.
The rest of the stories appeared in The Wisdom of Father Brown (1914), The Incredulity of Father Brown (1926),
The Secret of Father Beorn (1927), and The Scandal of Father Brown (1935). In Autobiography Chesterton
explained the passive character of his creation, who is virtually anonymous until the moment of the final
revelation: "His commonplace exterior was meant to contrast with his unsuspected vigilance and intelligence;
and that being so, of course I made his appearance shabby and shapeless, his face round and expressionless,
his manners clumsy, and so on."
In his verse Chesterton was a master of ballad form, as shown in his "Lepanto", which was published in 1911.
His other works include among others plays, historical studies, essays, and biographies of such authors as Robert
Louis Stevenson, Leo Tolstoy, Charles Dickens, Robert Browning, Tennyson, Thackeray, George Bernard Shaw, and
William Blake. Chesterton's subjects were very varied: the biography of Chaucer (1932) celebrated the Middle
Ages, The Thing (1929), a collection of essays examined his own conversion to Roman Catholicism, Takes of the
Long Bow (1925) propounded his social and political views.
Author biographies courtesy of Author's Calendar. Used with permission.